All posts tagged in Future House
• Reviewing a peculiar team-up… • Gospel vocalist Mia Lexie with the veteran Janousek! • Joyous Eurodance drop There’s something in this extremely intriguing production that leaves a touch of nostalgia amidst confusion… like something is off, yet a guilty pleasure nevertheless. You see, “Time For Love” (Club Mix, in particular) is a peculiar song
Trivia of the week – In a 2018 financial survey, the global value of EDM industry was estimated over 7.9 billion USD. Hey, hey and hey! Episode seventh eh? Not bad, not bad at all. Glad to have you here, even if the intro segments are becoming increasingly offbeat. There seemed to be a sharp
• “Interstellar” vibes • Emotional and pulsating drop • Exquisite vocal performance Fun fact: I lost complete interest on Hexagon this year. Not an amusing thought I know, despite being a blunt fact that will be agreed by some. The once leading brand of Spinnin’ Records went independent, and also launched countless sub-labels to push
• A mix between Bass and Future House • Calmer and experimental winning take from DMNX • Honorable mention: BLUK’s aggressive remix As promised, we have reviewed the victor for the “Pass Me By” charity remix contest. Published via swerve collective, the original from Jake & Alvar (who has delighted us, yet left craving for
• Future House, Piano House, Bass House… • Sweet vocal with a stunning drop • Radio-friendly release Hello there! Well to begin, this song was selected on our Discord server, so we highly recommend readers to join us there as there will be further selections made there as suggested by the members. It’s a regularity
While not being a fanatic of the Future House genre, it is a style that often outputs rare gems from either the reputed acts making, or an insane amount of copy-pastas that continue doing the same predictable things, leading up to “quantity-over-quality” publishers such as FHC. Yet amidst this complaint of mine, I recently started
• Stale Deep House bassline • Flat performance by Smash Mouth, yet a warm vocal! • The trumpet is now… A sax Putting the hilarious memes aside, Smash Mouth have proved themselves as catchy vocalists, and Timmy Trumpet seized this opportunity and played his cards well to create a potential summer hit. Even though, I
• FHC influenced structure • Clever workings in the lead synths • Standardized vocal presence Some forty-eight hours ago, I revealed about my “listener’s block” and how it is struggling to find anything interesting to write about the big, important releases that come in great numbers every Friday or so. I also mentioned about “exceptions”,
• Zesty vocal performance • Energetic and pulsating drop • Mixed feelings after conclusion After a few months on not updating myself to newest offerings from Different Records’ catalog, the reason solely being the tracks didn’t convince me entirely (with some exceptions, of course). After this, I decided to take a look on what they
• Exotic flute bringing a breath of fresh air • Big Room-ish, clashing low-end • A real experiment with Future House, interesting! Can I take a moment and be brutally honest? Oh yes, it’s my article after all. Lately I have considered Thomas Gold as one of those many top honchos who are just here
• Old-school drop in newer sleeves! • Simple structure but full of elements • Trademark vocal tone from FHC In the recent week, I stated in my “I Took A Pill In Ibiza” review that Future House Cloud is a label that deserves more respect because (apart of their Slap House release akin to dark
• Future House meets Future Bass • Predictable yet effective sound-selection • Helping a great cause in the process (read below) I rarely happen to feature releases older than two weeks, so that our content is more up-to-date, but today I am satisfyingly making yet another exception. “Pass Me By” from Jake & Alvar comes
• Adheres to classic Future House with twists • Melodic approach • Versatile structure, refreshing to hear. As per demand from our readers, today’s review will be solely dedicated to “Zapdos”, a brand new energetic Future House record from Oliver Heldens. It doesn’t require much to figure out why it has turned out as this
• Romantic lyrics, contrasting vocal pitch • Piano melody is simply, a plus • Effective drop, emotional breakdown It has been much time since I talked about any particular musical output from my native country. Spanish scene seems to be on another edge this year, as I must admit that a lot of the producers
• Straightforward structure, laidback vocal • Groovy rhythm fits well in the schematics • Repetition that hinders fuller potential “Heart” is a release that caught my attention without much effort, hence earning itself as the highlight of this article. A solid composition, it is a production from the Dutch artist Hypnotune and has been released
• Great enigmatic atmosphere • Soft vocal performance • Ophelia-esque drop style, peculiar approach Two weeks without reviewing any bass release. Wow, strange. I missed so much my favourite genres but the latest releases weren’t clicking with me (referring to bass, dubstep…) and, suddenly, I received a DM from Rivio with the right pick for
• Playful and melodic • Individual styles hard to distinguish • Radiant vocal presence In the articles preceding this one, I noted often that Spinnin’ Records is in doldrums, releasing a barrage of commonplace and generic tracks. A few rare exceptions make their entrance now and then, one of the latest being the team-up between
• Idiosyncratic vocal befitting Warden’s darker mood • Intricate melody that follows experimental schematics • Elegant and engaging arp synths “I just want people to forget about their problems and be happy“. This phrase by David Warden immediately caught my attention: with a genuine simplicity, the young German producer shows what he wants to achieve
• Easy-to-remember melody • Heavy 2015 old-school structure • The drop seems rather boring, isn’t it? Who remembers Basto? If you happen to be an old-school EDM fanatic then you must have heard his name, especially with major releases in imprints like Spinnin’ and Kontor in the past decade. Anyways, Basto has come back unexpectedly
• Commendable vocal performance • Stale and predictable drop • Can artists stop copying Alan Walker’s style? Tungevaag had my admiration a few months ago, his bouncy style being catchy and he was settling as one of the recurring main figures in Spinnin’ Records. Singles like “Knockout” (honourable mention to Da Tweekaz’s remix) and “Peru”
• Classic Future House schema with sweet vocal chops • Progressive House twist in the Club Mix • Common schematics, but engaging experience This a sort of “double review”, because I first came across with the original mix of “Dream“, and then I discovered the Club Mix, which is a Progressive House version… Thus, I
