All posts tagged in Future House
• Classic Mike Williams melody and groove • Gorgeous vocal from Philip Strand • Lacking a little spark in the drop Welcome back, Future Bounce. It’s been a while. Mike Williams returns to familiar territory with “All My Life (In My Heart)“, featuring Philip Strand on vocals. Released on Future House Music, this one feels
• Unexpected dark Electro House collab • Edgy vocal adds personality • Hard-hitting kick and gritty bassline I’m very, very surprised by this one. Robin Schulz, Steve Aoki, and LAWRENT dropping a dark Electro House banger? Sounds like a joke, right? But listen closely, “Bloodtype” actually sounds great. I’m not really a fan of Aoki
• Chill Future House with a spark • Wonky bass and dynamic chops • A smooth summer-ready banger Chill Future House banger for this hot summer! “Restart” is a well-thought-out composition, crafted by the talents Alex Martin (you may know him from “Loco“) and LACEY, known for his signature chill vibes and tropical-tinged hits. The
“Colorblind” is definitely not a word I’d use to describe this EP. It’s full of color, enthusiasm, a blend of genres, and a clear desire to do something new. “Echoes” really hit me emotionally, packing an explosive mix of sounds into one cohesive experience. The artist behind it, CLRBLND, first showed up on the radar
• Brazilian Bass and a blend of genres • Elegant strings add unexpected sophistication • Professional production that shines in the details RadWulf continues to be one of the most interesting characters in EDM right now. The guy literally claims to be from the future, and I like the whole cyberpunk aesthetic in his trippy
Wandour‘s new album “Iridescent Serenade” is exactly what I needed right now. This isn’t your typical electronic album: no crazy drops or heavy bass here. Instead, it’s like taking a slow walk through the park on the first warm day of spring. At first I was kinda confused, but then it hit me. This isn’t
• Brooks and Mike together again after 7 years • Solid blend of styles in the drop • Mylo’s sample could have been used more effectively I think “Jetlag” by Mike Williams and Brooks, released 7 years ago, was one of the first reviews here to score a 90+. For us, it’s an extremely high
• Avicii-ish Future House • The evolving melodic structure adds depth • Bassline could be punchier Today, I want to introduce you to a small project that really caught my attention with its lighthearted style and innocent sound design. Uggly Bob, a new producer from Spain, has started his journey with a few independent releases,
• Hyperpop vibe with a punchy Future House foundation • Julia Temos vocals blends well with the bassline • A peak-hour anthem for clubs and festivals I remember Crunkz from his 2018 release “It’ll Be Alright” on Revealed Radar, where he teamed up with Gigo’n’Migo and Micah Martin. It was a solid Progressive House track,
• Clean, hard-hitting kick • Sweet vocals, enhanced by slight details in the background • Simplistic melody pattern After taking some time to focus on the music that truly brings me joy, I’m thrilled to dive back into reviews with “Real Thing” by Belgian veteran NGTY and vocalist Wicks, released via Future House Music. This
• Oldschool vibes in the main lead • Energetic vocal performance • Explosive drop section “Lost My Ground” is a vibrant fusion of nostalgic Eurodance elements and contemporary production techniques, showcasing the collective talents of Averro, D.T.E, and Ayda Rastgoo. Drawing inspiration from iconic tracks like “Komodo,” the trio infuses their own unique style into
• Hard-hitting Eurodance hit • Future House vibe, reworked with more underground impressions • Great step outside the comfort zone “Monster” is… quite a lot of things. First and foremost, it’s an Eurodance banger with impressive old-school vibes and a vocal that really grabs your attention. Let me emphasize: the vocal is simply perfect. But
• Not your typical “one in a million” track • Stunning vocal-guitar duo • Added bounce in the drop Welcome back, Rory Hope, the vocalist behind “Location Unknown” by Hogland, which we recently reviewed! This time, his enchanting vocals team up with Marc Benjamin‘s stellar beats in “One In A Million.” Released via Future House
• Tchami‘s classic Future House returns • Warm vocals with intricacies in the drop • More to listen and chill out It’s not exceptional to hear such energetic endeavors from Tchami, especially when considering his recent collaborations with Malaa for the Bass House scene. This take is more old-school Future House— where the French artist
• Sounds a lot like Italo Dance • Catchy vocal, supported by nifty sound design • Warm and joyful atmosphere It’s time we talk about Hogland. The Swedish talent, who has released several successful singles has come back with “Location Unknown”. What I have today is an energetic Piano House creation that struck quite the
• The Insomnia pluck as lead • Soulful vocals • Dance-pop setup In a fairly interesting move— one not quite expected— Justin Mylo revealed an interesting twist with “Rescue Me,” which came out this weekend. Paired with vocals from the established dance music vocalist Karen Harding, the track is an ode; an homage to the
• Gem of a final drop • Engaging vocals • Wobbling lead balancing the bass Remember “BOOM” and “BYOB“? Then you probably shouldn’t be surprised to hear that the California-based artist Sevenn has formulated another hefty Future House hit! This time, he crossed over to the Future House music label with a rather introspective result,
• Classic EDM combining indie elements and guitar riffs • Optimistic and high-spirited atmosphere • A radiant vocal performance by ruben. What happens when you combine Tollef’s funky guitar artistry and Nu Disco production skills with the eclectic Future House influences of Aiobahn? The answer is obvious: this joyful creation! Released on Don Diablo’s HEXAGON,
• Well, the original was even higher • Don daringly experimenting • From Future Bass to Future House, with elegance Yet another great creative gesture from Don Diablo has arrived: this is a gorgeous remix to discuss, going back to his roots like “Still Cutting Shapes”… with elegance and innovative intentions, and pushing aside any
• Finally something genuine! • Great synergy with the vocals • Surprising twist afterwards My expectations about R3HAB who most probably didn’t even open the project file for “Rock My Body” once, were low as always. For an artist thriving in fame lately, I was hoping for a more inventive take on the Trance classic
• Absentia of Wobbling lead • Piano House works smoothly with the vocal • A natural sequel The fact that Don boldly decided to rework an all-time future house classic from him is very admirable, further considering that “Cutting Shapes” is in my top three from the Dutch star. When I discovered its release, I
