All posts tagged in Future House
• Oldschool vibes in the main lead • Energetic vocal performance • Explosive drop section “Lost My Ground” is a vibrant fusion of nostalgic Eurodance elements and contemporary production techniques, showcasing the collective talents of Averro, D.T.E, and Ayda Rastgoo. Drawing inspiration from iconic tracks like “Komodo,” the trio infuses their own unique style into
• Hard-hitting Eurodance hit • Future House vibe, reworked with more underground impressions • Great step outside the comfort zone “Monster” is… quite a lot of things. First and foremost, it’s an Eurodance banger with impressive old-school vibes and a vocal that really grabs your attention. Let me emphasize: the vocal is simply perfect. But
• Not your typical “one in a million” track • Stunning vocal-guitar duo • Added bounce in the drop Welcome back, Rory Hope, the vocalist behind “Location Unknown” by Hogland, which we recently reviewed! This time, his enchanting vocals team up with Marc Benjamin‘s stellar beats in “One In A Million.” Released via Future House
• Tchami‘s classic Future House returns • Warm vocals with intricacies in the drop • More to listen and chill out It’s not exceptional to hear such energetic endeavors from Tchami, especially when considering his recent collaborations with Malaa for the Bass House scene. This take is more old-school Future House— where the French artist
• Sounds a lot like Italo Dance • Catchy vocal, supported by nifty sound design • Warm and joyful atmosphere It’s time we talk about Hogland. The Swedish talent, who has released several successful singles has come back with “Location Unknown”. What I have today is an energetic Piano House creation that struck quite the
• The Insomnia pluck as lead • Soulful vocals • Dance-pop setup In a fairly interesting move— one not quite expected— Justin Mylo revealed an interesting twist with “Rescue Me,” which came out this weekend. Paired with vocals from the established dance music vocalist Karen Harding, the track is an ode; an homage to the
• Gem of a final drop • Engaging vocals • Wobbling lead balancing the bass Remember “BOOM” and “BYOB“? Then you probably shouldn’t be surprised to hear that the California-based artist Sevenn has formulated another hefty Future House hit! This time, he crossed over to the Future House music label with a rather introspective result,
• Classic EDM combining indie elements and guitar riffs • Optimistic and high-spirited atmosphere • A radiant vocal performance by ruben. What happens when you combine Tollef’s funky guitar artistry and Nu Disco production skills with the eclectic Future House influences of Aiobahn? The answer is obvious: this joyful creation! Released on Don Diablo’s HEXAGON,
• Well, the original was even higher • Don daringly experimenting • From Future Bass to Future House, with elegance Yet another great creative gesture from Don Diablo has arrived: this is a gorgeous remix to discuss, going back to his roots like “Still Cutting Shapes”… with elegance and innovative intentions, and pushing aside any
• Finally something genuine! • Great synergy with the vocals • Surprising twist afterwards My expectations about R3HAB who most probably didn’t even open the project file for “Rock My Body” once, were low as always. For an artist thriving in fame lately, I was hoping for a more inventive take on the Trance classic
• Absentia of Wobbling lead • Piano House works smoothly with the vocal • A natural sequel The fact that Don boldly decided to rework an all-time future house classic from him is very admirable, further considering that “Cutting Shapes” is in my top three from the Dutch star. When I discovered its release, I
• Several versions for all tastes • Extraordinary melodic sequence • Well-fitting vocal (in the original, less in the VIP) Let’s bask in the euphoric festival vibes as the Tomorrowland season kicks off! Today, I bring you a dual release from the talented Neil Degas, featuring the enchanting vocals of Scarlett. “Braveheart” weaves a tale
• R&B influences with Future House • Bouncy, simple bassline in the drop • Laidback vibe and a couple of trap details With summer upon us, that period of the year has started where all the producers come up with commercial (and often cheesy) things. Those piss me off, as I was uneasy to press
• Great vocal cover from JD Davis • House-focused layout • Built around the original’s bassline A fresh collaboration has emerged in the wild involving Oliver Heldens & DJs From Mars. An interesting synergy, as DJs from Mars have made a solid reputation for specializing in mashups in the EDM industry and teamed up with
• Future House with Jungle Terror sounds • Plenty of details • Great bassline Before proceeding, here’s the premise: I am not really into the Experimental scene in the US right now, where Dubstep, Trap, and many other genres get combined in creative ways. In WLLWS, I see the influences from artists such as Moore
• Future Bounce à la Brooks • Solid, well-designed structure with breakdown • Less innovative, but delivers a sound performance We are back here talking about Poylow and MAD SNAX after their splendid “Drop In The Ocean“, made available again by NCS! This trio is impressing me, and now there are the polyvalent skills of
• A delicate rework of the original • Superb vocals • Evolution in Sik’s signature sound A gorgeous original: that should be said before praising this charming Future House remix from Siks. The French alias has a distinctive sound that’s roaring in the Bass House scene lately, racking up millions of streams and achieving significant
• Hexagon return with a signature finale • Experimenting with vocal distortions • Big twist in the end Albin Myers is a Swedish moniker who holds an enormous amount of experience as a DJ/Producer. He achieved several notable releases in the past fifteen years in the EDM world, with remix duties for Avicii and Axwell
• Only the riff is part of the Olive’s original • Futuristic drop over a nostalgic theme • Clear passion felt on the tribute’s work In 1996, Olive released the hit “Not Alone”. In the next 25 years, the track has been reworked many times in the EDM world, from names like ATB, Saberz and
Quick recap if you missed the action: Steve Void‘s label Strange Fruits, which served a variety of electronic pop and commercial house records, became a factory for anonymous releases with curious automated accounts, all representing cartoons and with hundreds of thousands (at least) of streaming statistics. A real revenue collecting machine, with no real human
• Outstanding lead, slightly Zonderling-inspired • An effective mix between Deep House and several subgenres • Dynamic attitude with a pinch of elegance Hailing from the Netherlands, we have a new face amidst Laidback Luke’s esteemed sublabel, Mixmash Deep. I must admit that both Mixmash’s components have got a solid record on their repertoire, with
