All posts tagged in Future House
• Several versions for all tastes • Extraordinary melodic sequence • Well-fitting vocal (in the original, less in the VIP) Let’s bask in the euphoric festival vibes as the Tomorrowland season kicks off! Today, I bring you a dual release from the talented Neil Degas, featuring the enchanting vocals of Scarlett. “Braveheart” weaves a tale
• R&B influences with Future House • Bouncy, simple bassline in the drop • Laidback vibe and a couple of trap details With summer upon us, that period of the year has started where all the producers come up with commercial (and often cheesy) things. Those piss me off, as I was uneasy to press
• Great vocal cover from JD Davis • House-focused layout • Built around the original’s bassline A fresh collaboration has emerged in the wild involving Oliver Heldens & DJs From Mars. An interesting synergy, as DJs from Mars have made a solid reputation for specializing in mashups in the EDM industry and teamed up with
• Future House with Jungle Terror sounds • Plenty of details • Great bassline Before proceeding, here’s the premise: I am not really into the Experimental scene in the US right now, where Dubstep, Trap, and many other genres get combined in creative ways. In WLLWS, I see the influences from artists such as Moore
• Future Bounce à la Brooks • Solid, well-designed structure with breakdown • Less innovative, but delivers a sound performance We are back here talking about Poylow and MAD SNAX after their splendid “Drop In The Ocean“, made available again by NCS! This trio is impressing me, and now there are the polyvalent skills of
• A delicate rework of the original • Superb vocals • Evolution in Sik’s signature sound A gorgeous original: that should be said before praising this charming Future House remix from Siks. The French alias has a distinctive sound that’s roaring in the Bass House scene lately, racking up millions of streams and achieving significant
• Hexagon return with a signature finale • Experimenting with vocal distortions • Big twist in the end Albin Myers is a Swedish moniker who holds an enormous amount of experience as a DJ/Producer. He achieved several notable releases in the past fifteen years in the EDM world, with remix duties for Avicii and Axwell
• Only the riff is part of the Olive’s original • Futuristic drop over a nostalgic theme • Clear passion felt on the tribute’s work In 1996, Olive released the hit “Not Alone”. In the next 25 years, the track has been reworked many times in the EDM world, from names like ATB, Saberz and
Quick recap if you missed the action: Steve Void‘s label Strange Fruits, which served a variety of electronic pop and commercial house records, became a factory for anonymous releases with curious automated accounts, all representing cartoons and with hundreds of thousands (at least) of streaming statistics. A real revenue collecting machine, with no real human
• Outstanding lead, slightly Zonderling-inspired • An effective mix between Deep House and several subgenres • Dynamic attitude with a pinch of elegance Hailing from the Netherlands, we have a new face amidst Laidback Luke’s esteemed sublabel, Mixmash Deep. I must admit that both Mixmash’s components have got a solid record on their repertoire, with
• An absurd outcome from two big names • Slower, Future House track with great vocals • Unfitting to the theme of Tomorrowland It had slipped my mind that Tomorrowland has its own official anthems! It’s not so obvious, since my brief research confirmed that the last one was in 2014 (“Waves” by W&W and
• The same, unoriginal “down down down” vocal loop • Clean, polished bassline • Forgettable in the long run At times, it seems healthy to talk about an average song to let some stress out! Valorizing talent with a sequence of 70s, 80s, or even 90+ (credits where credits are due, Dr. Peacock!) can be
• Experimental Future House sound • Glitchy and bass house influences • A lively vocal accompanying Today I am quite elated to be doing this review because genuinely I believe that Kieran Hill, the 18 y/o British producer might be a new name to you since he’s mostly releasing as an indie producer (notable exceptions
• Tech house design with trumpets • A vocal presence that blends well • Distinct from usual Heartfeldt releases While I don’t listen much to pop-leaning Future House/Bass produced by Sam Feldt, typical releases from Heartfeld records haven’t garnered my attention, until today, thanks to “Tequila”. Produced by the German artist XVW and the Italian
• Delightful vocals • Inspired by MEDUZA’s deep house sound • Catchy samples throughout Review written by @headsoverdreams From the land of mesmerizing landscapes, enticing chocolates, and luxury watches, I am happy to bring forth a new house single that will prove sumptuous for your fine Saturday evening. This solid club record comes from the
• Excellent mood in the buildup section • Predictable features in the drop • Robust track with clean sound design Jay Eskar’s debut has been awaited by me for quite some time now, owing to his unwavering talented efforts on the scene. It had to be either Hexagon or the No Copyright Sounds label, as
• Simpler approach, joyful outcome • Great vocal delivery • Signature touch on percussions Not being in the leagues of the greatest admirers of the duo Bingo Players, I didn’t keep a track of them since “Knock You Out” (2014). Thereafter, the focus of the now single project (R.I.P. Paul) has been towards Tech and
• Cover of the beloved hit • Plastik might seem shy, but takes revenge in the Club Edit • Elegant ambiance by Dario & Ivan When the folks over at Revealed sent me the preview, I read “21st February” as the release date in the email so… I’m writing this review in a hurry. Perhaps
• Usual, forgettable chill structure • WATTS sings, alone and unsupported • Personality in the pluck, great percussions There isn’t much to begin with this Friday, so I caught myself lazily skimming through the releases, searching for familiar names. Don Diablo popped up, and “Face To Face” (featuring WATTS), is a reluctant choice of mine
• Orchestral and delightful drops from V&G • Even Christmas lunch was more digestible than Tungevaag’s drop • Aloma Steele with her mesmerizing vocals In our series of reviews, we have mentioned the Dutch pair Voster & Gallardo (hereby mentioned as V&G) and with this significant team-up, it’s finally time for a proper review! These
• “Boing” fills for the win • Experimental as it gets • Future Bounce being actually futuristic In such an overfilled spectrum of Future Bounce, where the usual five or six names are the only ones dominating the scene, sometimes it’s the unheard and rising aliases capable of turning the tables with merely a simple,
