All posts tagged in Revealed Recordings
63/100 • Good vocal by Paul Aiden • Standard melody • His old structure, again and again… Oh, Paris Blohm. He was a progressive house legend, but after that, he spent a few time trying poppish stuff. Luckily for us, he made a great comeback with progressive, and today’s choice is another example of a
The amount of similarities between two of the biggest talents of the Revealed Recordings roster is amazing. KURA is inarguably the most notorious Portuguese artist in the big room/electro house world, thanks to his aggressive and brutal style, rich tribal percussions and squeaky sounds. Then you have Steven Vegas who
80/100 • Two different styles fitting well together • Unexpected violin twist • Bouncy Syzz drop We are big fans of the Syzz bouncy style, and “Be My Love” is a good example of its interesting potentialities. This nice collaboration with the Japanese Taku-Hero (the creator of “Fun Lovin“, present in the Revealed Miami Sampler 2018) brings lots
72\100 • Too similar to other SI releases • Fantastic vocal performance • Energetic and happy drop “Symphony” is a gorgeous song, even if it’s extremely similar to an old Sick Individuals release, “Writing On The Wall“. “Similar” is a euphemism, by the way… They present a lot of equivalent elements, the melody in particular. This detail ruined
77/100 • Awesome vocal by Philip Matta • Good level of energy • Rather emotionless Hardstyle is not a really common genre on Revealed, but every time they release these style of tracks they attain pretty good results. Today we are reviewing “Memories”, a good euphoric hardstyle tune made by the Italian Luca Testa and the fresh
Overall: 76/100 Blonde Breda: 81/100 All Around: 79/100 Da Trankis: 76/100 Trembling: 74/100 Now We Gonna: 74/100 This article is in continuation to the first part of this year’s Revealed ADE sampler, including our final thoughts on the overall EP. Picking up from “Blonde Breda”, made by the talented French-man Antoine Delvig, works with a
OVERALL:73/100 Cairo: 68/100 Nova: 71/100 I Can’t Take It: 80/100 Konichiwa: 74/100 Attack: 77/100 Today we will be talking about Dutch mega-label Revealed Recordings, as their new ADE sampler has been released over the course of few days. This review will be a short overview over each of the instrumentals, in order to avoid complexity
83\100 • Really original tune • Unpredictable atmosphere • Pay attention to the title Originality is always a good thing, and it’s even better nowadays because we have one of the most standard scenes in years. Today we will talk about a really different tune that, in my honest opinion, has an excellent quality yet
85\100 • Genial concept, supported with the right samples • Creativity balanced with catchiness • Heavy trance influences in a big room structure In EDM, especially in this genre, it’s important to have a good idea. Sure, the quality and the enjoyability are important as well, with tons of other factors, but here, we particularly love CREATIVE IDEAS.
If you are into Dutch/Acid/Electro house (the dirty one, Afrojack-style to be precise), you can’t be unaware of JAGGS. The Dutch duo in the last 4 years conquered a solid spot in the scene with various hits on Revealed Recordings (in particular), Armada and Dim Mak. Their style is, using a euphemism, unique. Every
85/100 • High-quality progressive house, with a hypnotic melody • Excellent vocal performance by Alicia Madison • Delicate approach, focused on sweetness Returning with full impact, the renowned Dutch star Suyano has shown strong significant growth as expected. This time, he has successfully collaborated with Australian talent No Class, featuring the delightful and mesmerizing voice
77\100 • As usual, classic Row Rocka structure: brutal electro house • Dynamic drop, fresher than expected • Catchy break, rich of stamina and aggressiveness As said in an old review, we have a little problem with Row Rocka’s drops. We can’t connect very much with them, despite appreciating their uniqueness and creativity. Today, surprise
96/100 • An Anthem of the whole genre • Blasterjaxx and Hardwell together, this time for something over the expectations • Mitch Crown, what a vocal! “Big Room Never Dies” is evidently not just a song, but a concept. An Anthem. With a capital A. When in 10 years people will talk about Big Room,
74\100 • Hardstyle twist of one of the most successful Revealed releases of 2017 • Disappointed by the vocal, but amazed by the drops • Being an old free download, part of the “magic” has been lost Strange, strange, strange release. “Love Is Dead” was actually an unusual track for Hardwell’s label Revealed Recordings, a unique mix between
After an influx of fresh summer releases to date, Revealed Recordings open a new chapter just in time for the festival season, with their “Festival EP Vol. 5”. The EP boasts the comeback of REEZ in the scene, the super talented Misha K, and a debut from SaberZ amongst other surprises. It has a mixture
74/100 Written by Allax Since the end of 2015, Hardwell has been exercising heavily in his studio to polish his hardstyle production skills. 2017’s ‘Make The World Ours‘ was a step in the right direction. This path is becoming clearer as time goes by, to the point where Robbert has been joined by an all-time
Since the beginning of EDM Reviewer, we have recognized Arcando’s unique productions. One of our first reviews was about his track “Choaz” and he’s repeatedly surprised us ever since. Marc Bandecchi, 20 years old, has releases on Revealed Recordings, Enhanced Recordings and Trap Nation. He has worked with huge names like Reggio, Maestro Harrell, LoaX
84/100 • SWACQ finally debuts on the eminent Revealed Recordings • Displays an aggressive and energetic flair without falter • Catchy breakdown followed by a stomping drop Monday has dawned with a striking and dynamic production, and it is from none other than the France-based hotshot SWACQ. Garnering appreciation for his unique and peculiar groove,
78\100 • Original and creative concept followed coherently for the whole duration • Brutal drop, not really melodic but perfect for festivals • Break with a unique vocal and lots of personality The movie “The Fast and the Furious: Tokyo Drift” (2006) was quite particular compared to the other parts of the famous action franchise…
78/100 The Guestlist4Good Anthem “Bring It To Me” has finally been released! We are talking about a wonderful composition mixed by KAAZE and sung by the talented Nino Lucarelli. Premiered back in 2017 in the Guestlist4Good event in India, the Revealed release of this Friday presents a solid progressive house composition, fitting the right way with
92/100 In many (many!) years of listening to electronic music, I learned to do two important things: to praise consistency and to talk about music after multiple listens. That’s it for my moral speech today, I don’t wanna bore you. After years, Hardwell still impresses me with his festival house works. I’m proud to say
