All posts tagged in W&W
• Everything fits, in a complex yet entertaining composition • Significant trio, efficient show of styles • Rework of a classic club-weapon by Sequenza No, you haven’t misread. The driving reason for a solid ninety to this is because of the fact I’m finally happy to see an essential collaboration that has been made because
• Elephantine bass • Old-school vibes transitioning into a more classic drop • Robotic and repetitive vocal that… Works! It may be my two cents, but I realized that Maurice West conformed much to his comfort zone this last few months. His tracks were good, yes, and we reviewed most of them, but I wasn’t
• Formulaic but energetic schematics • Standout breakdown segment • Tantalizing drop, rich in dynamism and aggressiveness This year has witnessed major developments for many renowned artists, but one particular act has pushed their limits. For the Dutch heavyweights Blasterjaxx, the word “hiatus” has become absolutely anonymous. Fresh off from their latest album, which has
• More W&W than expected • Strongly festival-oriented • Originally a “Komodo” rework, then modified because of copyright issues Capturing the attention among other releases this Friday, we are dealing with yet another significant team-up. Today we will be expressing our thoughts about the collaboration between the supergroup “3 Are Legends” and the leading Dutch
• Raging mood • Epicness taken to the next level • Brutal and festival-friendly drop What happens when two monsters of Big Room make a track together? The answer is clear: “Hands up hands up high…” you know what it follows. Big Room wasn’t dead and it won’t ever be, at least not whilst these
• W&W return to progressive house • Catchy melody and vocal sample • Quick release since premiere This review has been written by Stags Music. If you like his work, follow him on Instagram! With the amount of collaboration in the EDM industry, it’s honestly quite a surprise that Nicky Romero and W&W have not released a
• Armin and W&W are unstoppable right now • An “old but gold” second break structure • Festival tune whose main purpose is interacting with crowds Here I am again, reviewing another track from Armin Van Buuren and W&W, and it might be the third one in less than a month. Unluckily it’s not that they pay
88/100 • Lots of genres combined together • Insane power • Creative approach for a festival edit 2018 has ended, leaving us great music, awesome performances, new undiscovered talents, some bad news… and, of course, the renaissance of some already consecrated artists in the scene. And yes, you are right, we are talking about W&W. This was definitely
89/100 • Excellent combination of their respective sounds • Creativity everywhere • Insane level of energy I think that even his haters would recognize that this was the year of Armin Van Buuren. He has been up there since years ago, but the mega-hit “Blah Blah Blah” brought him back again to the top. W&W were also
W&W is one of the best duos around in terms of music quality with a huge fanbase and a plethora of famous hits. In the past, we often described their creations as interesting, entertaining, and creative, with many 80+ ratings. However, today we aren’t impressed by “Rave Culture”, their upcoming single out on the anonymous
Another year, another Tomorrowland, another Tomorrowland EP from the bosses Dimitri Vegas & Like Mike. Unfortunately, this time we are not really happy with the results: apart of a couple of nice tracks, the selection disappointed us, especially because of the high expectations. Let’s begin! Dimitri Vegas & Like Mike vs. Hardwell – Unity
86/100 The month of May started promisingly with a new vibrant and engaging release, from none other than the domineering Dutch pair W&W. Already having revealed two other festival weapons from their arsenal, “God Is A Girl”, which delightfully revamped Groove Coverage’s classic work and then came in “Supa Dupa Fly 2018”, which supposedly got
89/100 Sometimes I ponder over how the modern Big Room scene would have been if Willem and Ward never touched it. Damn. In the time span of 4 weeks, W&W released 3 top quality mainstage beasts in italo-dance inspired “God Is A Girl“; astonishing vocal trance/big room hybrid “Ends Of Time” (their first actual vocal
90/100 It is a well-known fact that many of the vintage tracks of electronic dance music have been revamped and remoulded with contemporary sounds. Even if some listeners would term it as plagiarism, from a creative perspective, for the artist involved in re-creating the original vibes with different sounds is an interesting challenge. The Dutch
79\100 With a small delay, today we are ready to present you a beautiful remix by the one and only Wildstylez! Hardstyle is a beautiful genre, and thanks to legends like him, it’s becoming more and more loved even in the “Mainstream” scene. In the past, W&W have shown loads of collaborations with hardstyle artists.
83\100 “The One” is one of my favorite tracks ever by W&W. Its sweetness, its elegance, its energy… They are unique. TONYC remixed it in a trap approach, and I liked this version very much, so I decided to present it to you, even if it’s a bit old. The German producer created a “festival
85\100 Tsunami” vibes, plus hardstyle, plus a catchy vocal. What can I say? “Crowd Control” is a perfectly efficient festival machine, a genial and clever idea! It’s a song that will make you bounce, have fun and entertain you. This time I need to compliment with Dimitri Vegas & Like Mike and W&W because, as
83\100 “Chakra”, the long-awaited collab between Vini Vici and W&W is finally out! Well, since I’ve heard it the first time, I found the “aeeeeeahh” vocal really funny, but I must admit that is the main element of the tune. And, of course, it’s really catchy. I’m already imagining people shouting “aeeeeah” during lives, even
