All posts tagged in Trap
• A mix of everything… from flutes to violin! • Constant variations throughout • Usual trap format with unusual elements Within the immense discography of Tribal Trap, “Next Level” by the Romanian wazecode struck me with its unique drop, although it may resemble a common Trap framework in its initial sequence. For the past four
• Surprising twists in the drop part • Climax section mixing familiar and experimental elements • Another interesting take on Knock2‘s hit “dashstar*” became one of my favorite Bass House tracks from last year and from time to time, I still blast it on the speakers. Being the biggest hit (racking several million plays) from
• Repetitious vocal loop • Eerie atmosphere, typical of these releases • Hypnotic aura Not more than a week ago, I mentioned the duo CryJaxx when discussing about Phonk, a new talk of the town in terms of trending genre, and here we go again with a fresh release on Tribal Trap! Together with Sinny,
TikTok is back at it again. It is abundantly clear that the social media platform is dominating in terms of trendsetting new styles of music. Think of it, and there are massive examples such as Lil Nas X, sea shanties, Slap House, and dozens of hits that erupted into virality from the short videos in
• Eerie tonality in the breakdown • Frenzy mix of bassline and growls in the drop • Unpredictable final climax In terms of the originality of its title, “Go Hard” doesn’t score as considerably. Yet, this triple-powered collaboration is anything but slow. A showcase between the joint forces of SVRRIC, Nieko, and Zack Merci, this
• A mix between orchestral and trap • Delicate, smooth vocal performance • Unexpected aggressiveness in the drop Oni Nillsen remains a near-mystical figure for me. Except for his first name, which is Nick, there is not much information about him, at least on the internet bubble. No bio, no press release to expand about
• Similar to W&W’s version, but bouncier • Melbourne bounce and Italodance influences • Minimal yet equally robust If I were you, I would immediately take a mental note of the name: Ericovich. Even if slightly intricately spelled alias, more importantly, this Spanish producer knows how to do his work dutifully. Discovering him via the
• Several months after the release of “The Core”, Caster remixed it • Amazing atmosphere with heavy Trance influences • Stunning melodic drop! I’m not feeling miserly in my life, but when it comes to 90+… They are so rare that I gave only one in 2021 (to the amazing “Symphony by” Aspyer). Fourteen months
• DnB, Hard Trap, and Hardstyle in “Drux”?! • Bass and Tech House influences in “Losing Control” • Brutal and chaotic without losing balance Upholding a bold statement about their prolific visions, FVCK GENRES has greatly favored shifting between the demarcations of several EDM genres. Their latest upload, “Drux” EP is no exception either. Architected
• Lean structure, plenty fun • Catchy vocals, a great fit with the guitars • Unexpected finale Being a veteran of the NCS roster, Johnning has made a mark in the independent channel’s catalogue for over half-a-decade! He’s a talented singer, endowed with a warm voice that merges well in an energetic Progressive House performance
• Delectable pop influences • Soulful presence from Arcana • Cracking dubstep sounds in Trap twist Hey everyone, it’s been some time! Finally, I am back with my batteries recharged and a metric tonne of new music to share. Anyways, “Into The Wild” is NCS’ final offering for this year, a hard trap tune made
There is a new mania ravaging out there, and I suppose most of you already know that we are talking about: the new Netflix show Squid Game is an exciting exploration of the human nature and its crazy, dark and egoistic sides. Also, no spoilers here! We are here to analyze its (underrated) soundtrack “Pink
• Ambient melody • Creative sound-design • Playful schema with enhanced brutalism First of all, this might be my final review before onset of the vacation, so I hope you all are enjoying the last vestiges of summer (or winter, if you are from down under). Anyways, if planning for a sojourn, might I introduce
• Combination of Bigroom and Hard Trap • Most awaited ID after a year of no release news • Mashup with W&W’s most awaiting collab Here we go, another big news coming up this month of summer. Both festival artists had announced their upcoming collaboration, “Lose Control“! The Mexican pair ANG is teaming up with
• Exquisite drop melody • Sublime rap performance • Modest but effective composition It wasn’t within my expectations to talk about Enforce Records after they incorporated several changes to their schedule, which consists anything from Dance tunes, Slap House remixes to luckily, a few Trap productions. At least, this genre of works are much rock
• Obliterating my ears (in a good way) • Retro-futuristic melody • Glitchy drop, funny ear-blasters included It’s officially summer for a while now, however I didn’t yet manage to find any tune to fit for the season, especially as festivals are marking a return. In my long effortless search for a while, I finally
• A four-minute experience • Heavily festival-oriented • That drop struck so hard, isn’t it? Currently Monstercat signed producer Bossfight is perhaps one of a kind, renewing his style at any moment required. Indulging through various genres exclusive to Dubstep is, by far, the best decision he has taken. “The Pit” is his brutal festival
• Delicate and stunning composition • The magic is in the details • OMG, I love that guitar! Almost forty eight hours ago, we asked the audience to suggest a track for review, and two of them were selected due to greater amount of likes. The final decision was made by the members of our
• Festival-oriented version • Stunning bassline • Refreshing a classic I remember of a specific review we did recently of “Bring Me To Life”, a modern magnum opus from Evanescence, done by Flynninho and gotlucky. It was a classic brought to life with a quality that is deemed necessary for this sort of works. Since
• Ten seconds of first drop, aaagh! • Excellent sound design, polished schematics • Wonderful vocal, a passionate performance NOIRE has earned his reputation for versatility with his third appearance on Tribal Trap, and I had the change to appreciate his style. First it happened with a glitch-riddled début “Psychedelic”, and then a classic melodic
• The comeback of the classic Panda Eyes style… • …With updates on it. • Repeat-worthy track After what seemed an entire year, we have the opportunity to listen to “Journey Pt.II”, the anticipated sequel to Swiss musician Panda Eyes’ first part. I decided to review one of them randomly, however you have my word
