All posts tagged in Slap House
Being an admirer of “Hero”, the recent studio output from the minds of the proficient pair Afrojack and David Guetta, the remixes provided me ample material to talk about. So I decided to review all of them in one special episode, and there’s aplenty of conclusions that I came around to. If not familiar, then
• Darker lyricism, though ungenial and short • Nifty details that add-up • An example to all copycats out there Blasting badly made Slap House has become the new normality, sure. It’s fun analyzing people who have run out of creativity, even if we become somewhat… sadistic while at it, let’s say. Please note that
Hey there, welcome to second instalment of the “Weekly Roundup”! Awful good to have you here! Now, I am hoping the format is feeling all comfy for everyone running their eyes through this. Some changes will be made now and then, as it deems suitable to make this series more efficient. Alright, that being said,
• Old-school drop in newer sleeves! • Simple structure but full of elements • Trademark vocal tone from FHC In the recent week, I stated in my “I Took A Pill In Ibiza” review that Future House Cloud is a label that deserves more respect because (apart of their Slap House release akin to dark
• Future House meets Future Bass • Predictable yet effective sound-selection • Helping a great cause in the process (read below) I rarely happen to feature releases older than two weeks, so that our content is more up-to-date, but today I am satisfyingly making yet another exception. “Pass Me By” from Jake & Alvar comes
• Romantic lyrics, contrasting vocal pitch • Piano melody is simply, a plus • Effective drop, emotional breakdown It has been much time since I talked about any particular musical output from my native country. Spanish scene seems to be on another edge this year, as I must admit that a lot of the producers
• Yep, another generic Slap House rework. • The same structure as usual: usual kicks, bassline… • Leo’s vocal performance is quite appreciable A constant respect for Future House Cloud has always stuck with me, as their releases are often from creative and upcoming names. Yet in all that, their sub-label has vehemently continued to
Before proceeding, a brief introduction of the topic feels to be placed prior further discussion regarding them. Last year was difficult for everyone, but lockdowns unveiled many artist’s creativity and helped rising acts make a name in the scene. At the time of writing this, few countries have restarted festivals (for majority, online alternative is
• Another useless, generic Slap House rework • Loud kick, usual bassline • Nothing valuable added to the pop hit The grand winner of this time’s bash is Wasback, with orthodox and untimed Slap House release; trust me, “Tik Tok” has ticked all the boxes in my checklist. – Cover of a famous pop song?
We have a great community of supportive readers, but perhaps even that won’t save us from some dose of hating on this article. However, transparency has been the core motifs of EDM Reviewer since day one. That being said, we want to share our thoughts without cowering from negative reactions. If there is any chance
What started as a hopeful beginning with the new decade for music sector quickly overturned into its greatest hinderance ever. There is only handful amount of days left before the calendar changes, and prior to that, we thought of taking an opportunity to reflect on this last 365 days: the bad, the worst and sliver
• Unusual genre for Tribal Trap standards • Violin, piano, trap samples and basslines: variegate combination • Relaxing experience I must be honest, I wasn’t expecting to hear Slap House on Tribal Trap, even if I’m used to find a lot of surprises in my beloved label’s cataloque… Twice! In fact, last Friday I noticed
• Slap House from an American act, a rare occasion! • Mixture of emotional and club infused vibe • Elegant vocal from Roxanne Emery With this year nearing its untimely dusk and every festival either postponed or cancelled, upcoming singles and new WIPs have found their new home: virtual DJ sets, which have aided in
• Generic Slap or generic Progressive House? • Predictable and mundane • Better production in the original track Having become a recent favorite of many online curators and radio jockeys, it is safe to say “Lovefool” is a successful hit by Berlin based act twocolors, and I am going to review the festival rendition done
• Alluring breakdown with subtle vocal presence • Unexpected and groovy drop segment • Dexterous presence of both artists in the instrumental As we have talked in this blog for many a times, collaborations including major names seldom have equal participation and passion, and more of a work done by the up and coming producers
Very passionate article today, I was planning something completely different, but after having read the feedbacks regarding KSHMR’s new work with LUM!X, Gabry Ponte and the singer Karra, I decided to share my two cents about the situation. I’m scared about KSHMR, who is still an “icon” for me in the EDM scene. I’ve always
• Questionable and theme selection • Generic, generic, generic instrumental • Contemptible, if not apathetic Trends can be for better or worse, and they etch history in the course of their run. For music, it’s ever evolving shape and tastes makes it fascinating to observe. That being said, Dance music is now headed by multiple
• Cover of the hit “Ride It” by Regard • Strong display of signature sounds • Simplistic yet dynamic sounding I have to reveal the fact that in my three years of writing reviews, I have never been so curiously involved in behind the scenes of any of the tracks I have previously talked about
After 6 months of one of the strangest years in human’s history, with an ongoing global pandemic, we can try to be positive and analyze what happened in the EDM scene. These are some of our conclusions for this period: 1- Streaming Services consolidated their fundamental position: now everything, from songs’ durations to release dates,
• Classic Big Room structure, aggressive and energetic • Nothing new, but excellent quality: we are speaking about a master of the genre • Comeback to the “Safe Zone” for Quintino Quintino is back on Spinnin’ Records, and this time, surprise surprise… He released a Festival anthem, “Switch Back“, a follow up of “Heey Ya!”
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