All posts tagged in Electro House
Dada Life have always impressed me as a long-time fan, as the Swedish veterans have revamped the Electro House scene in their humourous ways, notable ones ranging from using dirty leads and banana branding. Following the near nonsensical concept of Dadaism, their classics (such as “Feed The Dada” or “Kickout The Epic Motherf**ker”) amazed me
• Incredible fuse of genres • Ear-candy vocals, memorable lyrics • Unexpected team-up of two titans Expecting collaboration of this magnitude wasn’t in my mind, at all. For a couple of years, I was greatly interested about the German duo Jewelz & Sparks until the last year or so. On the other hand, British duo
• Blend of distinctive styles • Melodic and resonating synths • Lively vocal performance matching the theme As the world gradually moves into fall, Norwegian hotshot Tungevaag is teaming up with ‘Bigroom To The Future’ duo Bassjackers, as they present their after-summer single, “Written In The Stars”. This collaboration was an unexpected occurrence when they
• Wait, is it the Showtek lead? Why? • Theme centered around the breakdown • Meticulous work on kicks and percussions Intensity has been in a splendid shape lately, with tons of quality releases truly exploring the niches of Big Room and Trance. I have craved to review anything from them lately, yet rarely finding
Being an admirer of “Hero”, the recent studio output from the minds of the proficient pair Afrojack and David Guetta, the remixes provided me ample material to talk about. So I decided to review all of them in one special episode, and there’s aplenty of conclusions that I came around to. If not familiar, then
• First single of Future Rave of this summer of 2021 • New movement of genre of these dance music • Unexpected vocal from John Martin Four months have passed since I wrote my previous review, and couldn’t be any happier to come back and discuss a hot new single. “Impossible”, composed by the newly
• Impeccable synergy between two funny personnages • Beloved melody is still present • Homage to the legendary Star Wars scene Even if there are higher chances that this article will be uploaded after 4th of May, I won’t mind as I am a huge fan of Star Wars franchise, and thus deserves a worthy
• Grainy and distorted for aggression • A touch of dark and intense backdrop • Pertains to a simpler Bass House format Bold decisions in music-making business is rarer to see nowadays, but often I find names on the extensive Friday list to cite for their eccentric signatures that radiates raw talent. “Closer Tonight” happens
• An unexpected release • Mixes of Electro House and Dubstep • A total hymn for fans First of all, Mortal Kombat happens to be (with special regards to Doom) my favorite video game saga. Recently, the new film came out (thank goodness, the last one was atrocious) and a week before, Warner Bros. released
• Classic Revealed signature schema • Tech house leaning beat • Groovy and efficient drop Yes, the often talked about sub-imprint of Revealed is back in action! This time, they are offering a record from Sebastian Mateo and DJ St3v3, and both are familiar faces in the roster. Surprisingly, this marks as the fifth collaboration
• Old-school drop in newer sleeves! • Simple structure but full of elements • Trademark vocal tone from FHC In the recent week, I stated in my “I Took A Pill In Ibiza” review that Future House Cloud is a label that deserves more respect because (apart of their Slap House release akin to dark
• Emotional breakdown that suddenly gets “tainted” • Darker twist on the drop • Complex, experimental melody It has been a while since I discussed about Steven Vegas; a couple of years ago, he was soaring as one of shining stars signed on Revealed Recordings. Soon afterwards came his hiatus, which he broke in the
• Spanish ballad in-between two heavy drop • Interesting dynamic made with fast and slow rhythms • Simpler formula, creative application It has become an antic for me to often joke with my Spanish colleagues, who are naturally biased on reviewing artists from their nation… Well would you look at me now, reviewing “Matador”! Thankfully,
• Orchestral sequence combined with Electro House drop • Lightweight presentation that valorizes solos • Underground House elements with elegance Violins.. the stringed instrument has never stopped fascinating me. And using this same musical equipment, Aspyer has achieved a rare 90+ rating with his gem “Symphony”, released just a few days ago on STMPD. Considering
• Inhuman attention towards details in an unforgettable structure • Immaculate sophistication even with smallest elements • Esoteric vocal by Kaita re-used in unique ways The STMPD-esque Electro House tunes has become an inescapable trend if one is even remotely interested in this domain. Yet, “Chasing” managed to awe me with its distinctive concept. The
• Idiosyncratic vocal befitting Warden’s darker mood • Intricate melody that follows experimental schematics • Elegant and engaging arp synths “I just want people to forget about their problems and be happy“. This phrase by David Warden immediately caught my attention: with a genuine simplicity, the young German producer shows what he wants to achieve
Welcome to our first exclusive series for this year, “Lost Labels Of Yesterday”. In this trilogy, we will remind ourselves of music imprints that decided to hit the brake; whether long-forgotten or recently abandoned. While this would not be an in-depth analysis, we will attempt to find the reason on why these once thriving labels
• Great rave-ready spin on a vintage hit • Influences from Melodic Techno • Atmospheric and dynamic schematics Partnership can bring about the best of everyone involved, and the same can be stated about the latest studio chemistry being shared between the French icon David Guetta and Danish hotshot MORTEN. Since their earlier collaborations, the
• Monolithic rendition of the original • French icon re-tracing to darker Techno tones • The next super-duo in the Dance scene? Without much hiatus, the reputed personages David Guetta and MORTEN have returned! The pair have been displaying splendid studio-chemistry lately with collaborations, especially the recent “New Rave EP” that came previous July. Today,
My peculiar intrigue towards Paris Blohm’s discography has never faded, mostly because of this passionate image on social media and the efficient way he creates hype. Most old-timers here will remember him best by “Left Behind”, undeniably a hit in the electronic scene. Considered a master of the genre, Blohm then followed with a hiatus
• Alienating and repetitive vocal, akin to days during lockdown! • Bouncy drop, easily danceable • Interesting parallelism with the current situation Hailing from Netherlands, the creative act Bonkr left a great impression on me with his bouncy collaboration a couple of months ago… and now he is back with to present his production mettle,
