All posts tagged in Bassline
• TWIIG are back with Deep House • Great vocal on the break, except in the drop • Noteworthy details in the final segment Alternating between quality releases and long hiatuses, TWIIG hasn’t waned down and kept it equally interesting to see what they’re involved in and how their experimental shift in sound is ongoing.
• HDR moves to Bass House • Reggae vocal, used chopped • Nostalgic drop, reminding of TV Noise To my knowledge, most readers here might be well-acquainted with the fact of how House District Records managed to become a promising Big Room label on the scene. With no releases that interested me directly this weekend,
• Explosive first drop • A mix of everything: Trance, Tech House, Big Room. • Ending on a melodic note Experimenting needs undivided commitment. This is something I have found soundly present within the discography of the scintillating Maurice West. I won’t mince my words that admire him anyways, as the Dutch act has harkened
• Heavy bassline • Presence of Fisher-type leads • Evolving percussions Tech House? I am definitely not the right person to comment on any tracks from the genre, committing to it only in rarest of circumstances. Yet, while listening to one of the promo submissions, “Legends” from Cyrus Khan and Launo was something that captured
• Second single from the album “+” • Lively percussions, minimal ambience • Splendid vocals from Jimi himself Albums are a fascinating thing. Not only do they require severe execution that would render their content cohesive and narrative to each other, but experimentation that makes them stand out further. Mainstream dance music lacks from scarcity
• Effective with simplistic means • Hybrid of both tech and bass elements • Lesser innovations in the schematic Being a well-known label, Hysteria unfortunately suffers from a disease impeding its true marketing potential: bad artworks. Extremely forgettable, it poses a problem as this label actually publishes quality records and obviously focused on quality over
• Bass-Tech House hybrid with twists • Catchy bassline, as expected • Minimal attitude to emphasize the rhythm After mentioning him for multiple times on our blog-space, especially on the artist focus series a few months back, ELYX has ranked upwards on the support and recognition ranks since then. The immensely talented youngster has proved
• Uncredited vocalists with a club-like performance • Amazing way of mixing together the two styles • Curious output, maybe suitable for a specific audience Zafrir strikes me as the individual who keeps releasing a lot of music and conducting team-ups with famous aliases, often with forgettable results and sometimes with gorgeous results. The detail
• Funky rhythm in all the composition • Fresh robotic vocals • Different Records has established its quality This is the night of thirty-first when I am writing this, so I cannot wait to show you this release. As some of you might know, I indulge in gaming and hence this song immediately caught my
• Heavily inspired by MONXX’s style • Perfect work together among beats and vocal • Sins of having a predictable rhythm I wanted to review Circus desperately. An incredibly underrated label, there are tons of talents ready to unveil their finest productions and for today, Jessica Audiffred has presented an absolute wrecker. The Mexican act
• Hypnotic rude vocals, in repetitive loop • Meticulously made • Leaning towards Electro domain For past few weeks, it seems I have preferred Bass House a bit more, and perhaps it is the genre I have reviewed most. Perhaps because of the fact the style has exploded recently, or not. This time I received
Last month, we happened to delve in the realm of music production, as the brass tacks of audio creation happens to intrigue us often from time to time. Genesis Pro caught our focus previously, and this article will be dedicated to the latest revelation from renowned solo act KSHMR, whose impactful music has gathered countless
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