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All posts tagged in Bassline

  • November 7, 2023By Gonz Alo

    • Insanely catchy and memorable bassline • Exciting wordplay in the rapping • Unexpected trap-drill switch-up Releasing imprints such as Magic Records and Tribal Trap, South Korean producer 4URA has established his aptitude for creating anthemic and melodic Trap productions. This time, although, 4URA has taken a different route with his sound; his infectiously addictive

  • May 14, 2023By Gonz Alo

    • Unique take on the viral song • Darker bassline on the lighter pop tune • Minimal, but gets the job done When I approved a review of “Tourner Dans Le Vide” by 6SIXSIX, little did I know about the fact that it has been used countless times in memes involving Andrew Tate, the radical

  • October 29, 2022By Gonz Alo

    • Delicate vocal, clashing with the underground rhythm • Fisher bassline against Future Rave lead • Experimental approach that works! Let’s be honest, Future Rave is rocking right now, and I’m thrilled to see many producers reinventing what Guetta & MORTEN have introduced to the EDM scene. This experiment by the Sidney-based Dizzie Dayze is

  • October 22, 2022By Gonz Alo

    • Melodic Dubstep as expected • Familiar formula in a shinier package • Gorgeous vocal performance Nearly after a decade, the American producer finally is ready to remove the curtains from his first album, “Beyond The Veil”. Having followed him for a long time, I am expecting loads of Melodic (and otherwise) Dubstep and I

  • October 10, 2022By Gonz Alo

    • Entertaining story behind a groovy beat • Great vocals to amplify the narrative • Tech House set-up with heavy percussions For all DJs, there always remains a common nuisance: that one guy or gal in the party that goes right in front of the console, in the middle of a set, and asks for

  • October 2, 2022By Gonz Alo

    • Eerie tonality in the breakdown • Frenzy mix of bassline and growls in the drop • Unpredictable final climax In terms of the originality of its title, “Go Hard” doesn’t score as considerably. Yet, this triple-powered collaboration is anything but slow. A showcase between the joint forces of SVRRIC, Nieko, and Zack Merci, this

  • September 24, 2022By Gonz Alo

    • A mix between orchestral and trap • Delicate, smooth vocal performance • Unexpected aggressiveness in the drop Oni Nillsen remains a near-mystical figure for me. Except for his first name, which is Nick, there is not much information about him, at least on the internet bubble. No bio, no press release to expand about

  • September 11, 2022By Gonz Alo

    • East vs West • Flamboyant Indian lead over the drop • Soulful, looped-over vocal snippet After my colleague stated that he was used to eastern sounds such as these, and it would be beneficial if I gave it a try instead, I loved how baltaj crafted ethnic sounds in a Tech House structure! Mixing

  • August 15, 2022By Gonz Alo

    • Funk and Dubstep going hand in hand • Jazzy starts, wobbling drops • A near-perfect balance between genres This one is a standout discovery that was sitting in-between many other submissions, and sort of tune that we usually aren’t used to reviewing… And that’s why I am having plenty of fun with MIDIchlorian.dll’s style!

  • August 12, 2022By Gonz Alo

    • Progressive House, but aggressive • Tropical house-influenced breakdowns • Intense melodic loop, gorgeous vocals Kris Cerro is back at EDM Reviewer, together with Pedro Galhardo. The duo has just dropped superlative collaboration via Bass Rebels, ready to incinerate the atmosphere of the already hot August! Here’s the deal: I am not particularly motivated by

  • August 6, 2022By Gonz Alo

    LNY TNZ isn’t new to creating “Hard Mixes” for his tracks, often not giving an ‘FVCK’ to the traditional EDM genres and blending together various styles. Four separate versions for “Tik Tok” are… Well, a bit much, nonetheless they all are interesting for our eyes (and ears) desperate for fresh ideas to review. Spinnin’ Records

  • June 22, 2022By edmreviewer

    • Minimality throughout • Heavier kickdrums and pizzicato leads • Effective bassline presence Tech House and I aren’t the best mates, so consider this review as a step out of my comfort zone and a great sign for Wade’s future. If the Spanish creator has managed to convince me to write some lines about a

  • June 18, 2022By edmreviewer

    • First team-up between two giants of the current Bass House scene • Very similar to “Hyper”… • Excellent job on the breakdown’s loop Expecting something more from the talented names involved here, and not something similar to “Hyper”, unfortunately, the EP contains similar naming and hence coincidences remain here. Released a couple of weeks

  • June 6, 2022By Gonz Alo

    • Experimental Future House sound • Glitchy and bass house influences • A lively vocal accompanying Today I am quite elated to be doing this review because genuinely I believe that Kieran Hill, the 18 y/o British producer might be a new name to you since he’s mostly releasing as an indie producer (notable exceptions

  • May 31, 2022By Gonz Alo

    • An intense take on the original • Melodic and glitching dubstep drops • Overtaking the vocal slightly ILLENIUM’s set became my favorite during this year’s UMF, together with Timmy Trumpet (super fun) and the rather surprising one from Kygo… The American star has managed to present a lot of interesting ideas, including a superlative

  • May 28, 2022By Gonz Alo

    • Tech house design with trumpets • A vocal presence that blends well • Distinct from usual Heartfeldt releases While I don’t listen much to pop-leaning Future House/Bass produced by Sam Feldt, typical releases from Heartfeld records haven’t garnered my attention, until today, thanks to “Tequila”. Produced by the German artist XVW and the Italian

  • May 27, 2022By Gonz Alo

    • Explosive Hardstyle drop • Orchestral section with elegant chords • Lots of space for both different styles The Australian creator Dimatik is in great shape for this 2022, with interesting collaborations with Restricted, Und3rsound and Dr Phunk. As I declared several times, I love his ingenious mix of Hardstyle, Psy-Trance and Bounce, often with

  • May 25, 2022By Gonz Alo

    • Approach towards Festival Techno • Suspenseful intro from the vocals • Heavier kicks and low-end Following the events of last evening, when our IG followers suggested some great tunes, my attention was turned towards a gem from OverSky, almost by surprise. Even if I rarely enter the darker and sinister spectrums of Bass House,

  • May 21, 2022By Gonz Alo

    • Uses pizzicato lead, with a brutal bassline • Energetic drop sequence, although short • Equally focused breakdown with vocal It’s time to showcase a new name to EDM Reviewer’s community: NHEIRO, hailing from Germany! The producer has impressed me with a striking release on Madox Network (which rarely misses, these days), “We Got The

  • April 10, 2022By Gonz Alo

    • Came for Big Room, received gold • Mishmash of influences • Classy vocal performance Well, I am speechless to even begin describing what a fool, and eventually grateful I am for discovering this track. Fool, for I was ignorantly expecting some sort of typical Big Room, Progressive, or Bass House, since this label’s inclination

  • March 27, 2022By Gonz Alo

    • Hooky vocal performance • Classic lead with booming 808s • Lovely dark piano building up to the climax The observant and careful readers may already be familiar with Lukasoprom after my review on the Tribal Trap’s Endemic III that came out last year. The Georgian talent composes a kind of infectious Trap that I

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