All posts tagged in Bass House
• Big Room rendition of Darin • Excellent blend of DANÊL and JaySic • Intensity Recs and Glow Records blending their personas! Honestly, I wasn’t aware about “Step Up” By Darin, a Swedish artist that released this hit in 2005 (fun fact: produced by RedOne, who was recently involved with 2022 FIFA soundtrack). It has
• Subtle rework on the drop part • The first section is still intact • A fitting bassline for the peculiar vocal “Disco Pogo” from the German duo Die Atzen has always fascinated me back in the days as perhaps one of the noisiest songs to date. The dirty Electro House lead charging the whole
Today I teamed up with @edmrevnik for reviewing two of Nicky Romero’s recent releases that we found worth of attention. In the past we have criticized the lack of creativity of the Dutch producer, who decided to focus on easy, cash-grabbing Progressive tracks… Something has changed, maybe? Back To Where We Started w/ Afrojack 83/100
TikTok is back at it again. It is abundantly clear that the social media platform is dominating in terms of trendsetting new styles of music. Think of it, and there are massive examples such as Lil Nas X, sea shanties, Slap House, and dozens of hits that erupted into virality from the short videos in
• East vs West • Flamboyant Indian lead over the drop • Soulful, looped-over vocal snippet After my colleague stated that he was used to eastern sounds such as these, and it would be beneficial if I gave it a try instead, I loved how baltaj crafted ethnic sounds in a Tech House structure! Mixing
• Funk and Dubstep going hand in hand • Jazzy starts, wobbling drops • A near-perfect balance between genres This one is a standout discovery that was sitting in-between many other submissions, and sort of tune that we usually aren’t used to reviewing… And that’s why I am having plenty of fun with MIDIchlorian.dll’s style!
Summer’s over they say! Well, not mostly, but August has begun with a bang that I didn’t quite expect. There’s a lot on today’s roster to cover: hottest records from the likes of MORTEN, Third Party, MUST DIE! and more. Joel Corry x Becky Hill – HISTORY 82/100 Is it even summer without Joel Corry
• A future rave track with melodic essence • Charming vocal delivery • Summer midtempo twist in the build-up TurnItUp Muzik often times releases compelling releases, and if one is willing to dig deeper in their catalog, they will strike upon gold. I am talking about phenomenal records such as “Psyche” by Blackcode, Arsen and
The final week of July hit us quite unexpectedly, and so did many artists. With Tomorrowland, Ibizan events, and other festivals in full effect, the music industry is pressing harder on the throttle with numerous mentionable songs out on a single Friday. Good for us, so let’s hop into the latest installment of the Weekly
• A mix mash of genres with Future Bounce • Distorted, heavy bassline and glitchy leads • Breakdown with Dubstep-like growls The Future Bounce sub-realm can be rather intricated, with plenty of young people trying their hands and bringing their twists to a genre that apparently doesn’t leave much room for breaking the rules… but
• Minimality throughout • Heavier kickdrums and pizzicato leads • Effective bassline presence Tech House and I aren’t the best mates, so consider this review as a step out of my comfort zone and a great sign for Wade’s future. If the Spanish creator has managed to convince me to write some lines about a
Midway to June and we have ample releases to talk about on this roundup, with a special focus on uprising talents and their experimental efforts. The thirty-sixth edition of Weekly Roundup has Afrojack, deadmau5, ELYX, and more interesting aliases on today’s list! deadmau5 – XYZ 85/100 After his much-appreciated team-up “Escape” with the dance music
• The same, unoriginal “down down down” vocal loop • Clean, polished bassline • Forgettable in the long run At times, it seems healthy to talk about an average song to let some stress out! Valorizing talent with a sequence of 70s, 80s, or even 90+ (credits where credits are due, Dr. Peacock!) can be
• First team-up between two giants of the current Bass House scene • Very similar to “Hyper”… • Excellent job on the breakdown’s loop Expecting something more from the talented names involved here, and not something similar to “Hyper”, unfortunately, the EP contains similar naming and hence coincidences remain here. Released a couple of weeks
• Tech house design with trumpets • A vocal presence that blends well • Distinct from usual Heartfeldt releases While I don’t listen much to pop-leaning Future House/Bass produced by Sam Feldt, typical releases from Heartfeld records haven’t garnered my attention, until today, thanks to “Tequila”. Produced by the German artist XVW and the Italian
• Approach towards Festival Techno • Suspenseful intro from the vocals • Heavier kicks and low-end Following the events of last evening, when our IG followers suggested some great tunes, my attention was turned towards a gem from OverSky, almost by surprise. Even if I rarely enter the darker and sinister spectrums of Bass House,
• Uses pizzicato lead, with a brutal bassline • Energetic drop sequence, although short • Equally focused breakdown with vocal It’s time to showcase a new name to EDM Reviewer’s community: NHEIRO, hailing from Germany! The producer has impressed me with a striking release on Madox Network (which rarely misses, these days), “We Got The
This one caught me by surprise. Martin Garrix, with all his successful ideas and commercial hits, decided to drop a club-oriented album? “Sentio” which stands for ‘perceive, feel, experience‘, is a collection of 11 collaborations between the Dutch star and several other big names. There are two things I didn’t like here: the choice of
The summer of 2017 had its own list of hits from the likes of The Chainsmokers and Zedd, including Calvin Harris with his “Funk Wav Bounces Vol.1”. Under this creative endeavor, listeners witnessed bodacious RnB grooves scattered throughout the album with noteworthy collaborators present such as Pharrell Williams, Ariana Grande, Khalid, A-Trak, John Legend, and
• DnB, Hard Trap, and Hardstyle in “Drux”?! • Bass and Tech House influences in “Losing Control” • Brutal and chaotic without losing balance Upholding a bold statement about their prolific visions, FVCK GENRES has greatly favored shifting between the demarcations of several EDM genres. Their latest upload, “Drux” EP is no exception either. Architected
• HDR moves to Bass House • Reggae vocal, used chopped • Nostalgic drop, reminding of TV Noise To my knowledge, most readers here might be well-acquainted with the fact of how House District Records managed to become a promising Big Room label on the scene. With no releases that interested me directly this weekend,
