All posts tagged in Bass House
Right in time for Christmas, I received a surprise gift from avyeal. Deeply personal, slightly mysterious, impossible to ignore. “Catedral Cosmica” was born during pandemic isolation—a diary of an artist breaking free from routine, crafting something that refuses to fit neatly into any musical box. avyeal—part pianist, part electronic alchemist—has created a work that feels
• Unique techno • Strong vocals over solid beat • Kick doesn’t impress, the idea does Sure, purists might argue that “Historia de Amor” isn’t the Hard Techno we’re used to hearing from Techno star Deborah de Luca. Call it what you will – Melodic Techno, Techno, Bass House – but I’m penning this review
In the fast-paced world of EDM, it’s easy to get lost in the sea of anonymous and commercial tracks. But every once in a while, an act emerges that makes you sit up and take notice. Enter House of Allegro, a dynamic duo that’s been quietly making waves in the underground scene. Their latest album,
• Cultural fusion in Dubstep • Short, intense, and impactful • One buildup, One drop Soltan is one of the most intriguing names in the Dubstep scene right now. I got hooked on his Instagram tutorials, where he breaks down the “behind the scenes” of his tracks. You can feel his passion for the details
• Several interesting elements • Dark, energetic, futuristic pattern • Sonar-like sound adding some mistery to the atmosphere The Finnish producer Max Lapinsuo-Sylwén has stepped into the spotlight with his compelling debut, “Countdown”, an Electro/Bass House fusion that immediately caught my attention on its release day. With over a decade of experience in the dance
Today’s review features two standout tracks from Ekonovah’s EP: the title track “Vibrant” and the equally impressive “Best of Me.” Both tracks offer a unique listening experience, and their backstory is worth sharing. Ekonovah himself has described the EP as a defining moment in his artistic journey. He explained, “This EP defines my sound as
After more than a decade of dedication to the genre, BIJOU has announced his final EP. But fear not, this isn’t the end of a career; it’s simply a moment to reflect on and celebrate his consolidated G-House style before transitioning to a new, brighter vibe. I recently immersed myself in “Lights Out,” and what
• Tchami‘s classic Future House returns • Warm vocals with intricacies in the drop • More to listen and chill out It’s not exceptional to hear such energetic endeavors from Tchami, especially when considering his recent collaborations with Malaa for the Bass House scene. This take is more old-school Future House— where the French artist
• Eh, the M1 organ lead • Great pairing with Hadar Adora’s voice • Clean setup, smooth transitions A deep house creation, “Revival” is an interesting outcome from the minds of Myles O’Neal and Hadar Adora, and deserves a special mention. A surprise came right after the first draft— turns out Myles is the son
• Insanely catchy and memorable bassline • Exciting wordplay in the rapping • Unexpected trap-drill switch-up Releasing imprints such as Magic Records and Tribal Trap, South Korean producer 4URA has established his aptitude for creating anthemic and melodic Trap productions. This time, although, 4URA has taken a different route with his sound; his infectiously addictive
• Hyperpop, Piano House, Bass House… • Unique lead sound and quality vocals • Balance between mainstream appeal and creative uniqueness On this cold and rainy evening, I’ve decided to bring some funk and positivity into my world. Winter is here, but I’m not in the mood for the same old bland and uninspired tunes
• More delicate breakdown than usual • Classic CHYL drop vibes • Quality tune, well balanced From Bass House moniker CHYL, I hold great expectations especially after a series of successful releases even though initially, I had some doubts when analyzing “Let Go”, her new release with ZOOTAH on Dim Mak. Forget experimental and glitching
• BOOM vibes in the vocal loop • Lots of details towards the end • Great showcase from Tim Hox Greatly satisfying, “The Blonde One” is a Bass House release on Spinnin’ Records that might not garner the same magnitude of success equal to past hits from Mike Williams (being a wunderkind of the Dutch
• Finally something genuine! • Great synergy with the vocals • Surprising twist afterwards My expectations about R3HAB who most probably didn’t even open the project file for “Rock My Body” once, were low as always. For an artist thriving in fame lately, I was hoping for a more inventive take on the Trance classic
• Glitchy elements, experimental drops • Misleading title • Hypnotic aura with a mysterious allure Whales (aka Sex Whales) has returned to our blog with another smasher, made in cooperation with producer CURE97. Honestly, the title got me intrigued as I am an avid listener of “Big Room”. Don’t be fooled – this one is
• Captivating blend of Hardstyle, Bass House, Future Rave, and Big Room influences • Uniquely reimagined classical structure • Dynamic and ever-evolving composition I must confess, it’s truly a delight to witness such an extraordinary amalgamation in “Bring The Fire,” especially considering its release on the renowned Spinnin’ Records! Despite my personal qualms about Timmy
• Explosive drops • Distinctive Bass House lead • Catchy melody, less impactful the second time The metallic, dirty lead of “Need U” has earned my admiration as the drop struck: a concentration of energetic sounds, the climax brings with energy when it explodes! This creation from the Spanish BLAK is intriguing and immediately finalized
• Mix of liked genres • Twists in the drop • Small but considerable variations Breathe Carolina has dived into Bass House lately, as several releases such as “WIFI” or “Sick” came out on Spinnin’. I found them a bit conventional, lacking that spark of creativity that usually gets me to review something. Things are
• Sam from Moksi joined forces with Nostalgix. • The bassline is excellent and packs a punch. • The melody gets a bit repetitive. It’s quite disheartening to learn about the split of the Bass House duo Moksi, with Diego venturing into his independent project, SUMMUM. However, there’s still excitement in the air as Sam,
• Bass House infused with captivating vocal modulations • Polished bassline accompanied by impactful kicks • Breakdown showcases Cuebrick‘s unique touch Isaac Palmer‘s music is heavily influenced by Bass House, as evident in his previous releases such as “Pressure” and “Inception” (his debut on Maxximize Recordings alongside Tony Junior). His more recent track, “Can’t Remember,”
• Future House with Jungle Terror sounds • Plenty of details • Great bassline Before proceeding, here’s the premise: I am not really into the Experimental scene in the US right now, where Dubstep, Trap, and many other genres get combined in creative ways. In WLLWS, I see the influences from artists such as Moore
