All posts tagged in Rave Culture
• Quality remake of the classic “House Of Justice” • Smooth blend of both different signature styles! • Summer-ish and alluring I particularly love when collaborations are balanced and not just for namesake, with both the parts involved managing to add their own styles and energy, fusing it into one splendid outcome… After having heard
• Zero surprises, just the expected stuff • Catchy melody • Amazing festival tool Wow, time flies, in the blink of an eye we are already beginning the third month of this year! But let’s get serious: for us (the big room fans) a year doesn’t start until W&W release a brand new track, so
Before the insults get hurled at us, we would like to explain our progressive change of opinion towards W&W imprint, Rave Culture, in the latest months. Re-branded in 2017, the Armada sub-label initially didn’t convince us. At first, it consisted just of W&W and Maurice West releases, a problem which haunted the antecedent brand in
• Classic Big Room arrangements • Appreciable distribution of signature sounds • Dismal appellation If our readers would reminisce for a while, they will recollect our concern towards Rave Culture, erstwhile known as the esteemed Mainstage, of being scarce of any other cognomens other than the heavyweight W&W and their dynamic protégé Maurice West. But
• Everything fits, in a complex yet entertaining composition • Significant trio, efficient show of styles • Rework of a classic club-weapon by Sequenza No, you haven’t misread. The driving reason for a solid ninety to this is because of the fact I’m finally happy to see an essential collaboration that has been made because
After finally getting adjusted to my new schedule, I’m happy to be back for a special edition of the weekly recap here on EDM Reviewer. Over the past few weeks, I’ve been disheartened by many releases and couldn’t bring myself to pick and write about nine of them. So as a result, I’ve picked nine
• Elephantine bass • Old-school vibes transitioning into a more classic drop • Robotic and repetitive vocal that… Works! It may be my two cents, but I realized that Maurice West conformed much to his comfort zone this last few months. His tracks were good, yes, and we reviewed most of them, but I wasn’t
This week we wanted to introduce you to some new artists and talk about some of their tracks. As always, we’ll be partnering with The QR Network to compile a short recap of notable tracks that we didn’t have time to cover during the previous week. We hope you enjoy our selection and if you have any
• Raging mood • Epicness taken to the next level • Brutal and festival-friendly drop What happens when two monsters of Big Room make a track together? The answer is clear: “Hands up hands up high…” you know what it follows. Big Room wasn’t dead and it won’t ever be, at least not whilst these
79\100 • Mastodontic drop • A great combination of trance and big room • Particular vocal speech During our previous review of the debut Rave Culture release, we talked about our doubts with regards to its biggest weakness: the lack of artists in the roster. This negative trend still seems to haunt the label because
W&W is one of the best duos around in terms of music quality with a huge fanbase and a plethora of famous hits. In the past, we often described their creations as interesting, entertaining, and creative, with many 80+ ratings. However, today we aren’t impressed by “Rave Culture”, their upcoming single out on the anonymous
