All posts tagged in Future Bounce
• The Insomnia pluck as lead • Soulful vocals • Dance-pop setup In a fairly interesting move— one not quite expected— Justin Mylo revealed an interesting twist with “Rescue Me,” which came out this weekend. Paired with vocals from the established dance music vocalist Karen Harding, the track is an ode; an homage to the
• BOOM vibes in the vocal loop • Lots of details towards the end • Great showcase from Tim Hox Greatly satisfying, “The Blonde One” is a Bass House release on Spinnin’ Records that might not garner the same magnitude of success equal to past hits from Mike Williams (being a wunderkind of the Dutch
• Hypnotic vocal, well-selected pauses • Aggressive kick, Techno influences • Great teamwork of different styles It’s always nice to hear this sort of synergy where distinct names having their styles, come up with something never heard before. Castion, mostly reputed for his experimental Future Bounce (shifting into Tech lately) and the minimalist attitude of
• Explosive drops • Distinctive Bass House lead • Catchy melody, less impactful the second time The metallic, dirty lead of “Need U” has earned my admiration as the drop struck: a concentration of energetic sounds, the climax brings with energy when it explodes! This creation from the Spanish BLAK is intriguing and immediately finalized
• Future Bounce à la Brooks • Solid, well-designed structure with breakdown • Less innovative, but delivers a sound performance We are back here talking about Poylow and MAD SNAX after their splendid “Drop In The Ocean“, made available again by NCS! This trio is impressing me, and now there are the polyvalent skills of
• A mix mash of genres with Future Bounce • Distorted, heavy bassline and glitchy leads • Breakdown with Dubstep-like growls The Future Bounce sub-realm can be rather intricated, with plenty of young people trying their hands and bringing their twists to a genre that apparently doesn’t leave much room for breaking the rules… but
• Future bounce, as usual • Clever, small details in the drops • Admirable vocal delivery from Mona Lisa “I Said Too Much” has been looping for a while in my library, and it’s time to sum up my thoughts about this beautiful endeavor! It’s surprising to see Mike Williams away from his home turf
• Excellent mood in the buildup section • Predictable features in the drop • Robust track with clean sound design Jay Eskar’s debut has been awaited by me for quite some time now, owing to his unwavering talented efforts on the scene. It had to be either Hexagon or the No Copyright Sounds label, as
• Zesty vocal performance • Energetic and pulsating drop • Mixed feelings after conclusion After a few months on not updating myself to newest offerings from Different Records’ catalog, the reason solely being the tracks didn’t convince me entirely (with some exceptions, of course). After this, I decided to take a look on what they
• Straightforward structure, laidback vocal • Groovy rhythm fits well in the schematics • Repetition that hinders fuller potential “Heart” is a release that caught my attention without much effort, hence earning itself as the highlight of this article. A solid composition, it is a production from the Dutch artist Hypnotune and has been released
• A brilliant rework • Future House twist on the original • Newer take on an earlier Future Bounce version Summer is far gone on this cold wintry day of November, but DAZZ, Ellie Sax and the upcoming vocalist Jessica Chertock crafted to bring forth some warming tropical vibes in my room! I am excited
• Alienating and repetitive vocal, akin to days during lockdown! • Bouncy drop, easily danceable • Interesting parallelism with the current situation Hailing from Netherlands, the creative act Bonkr left a great impression on me with his bouncy collaboration a couple of months ago… and now he is back with to present his production mettle,
• Second release by Dastic on Revealed Recordings • Soft, poppish vibes, badly received by fans • Complex melody, difficult to remember I was curious about the presence of Dastic in Revealed Recordings. I’m following him for years, I enjoyed many of his tunes (in particular: “Candy” and “Give Me Your Love“), I appreciate his
• Creative lead, dark influences • Bouncy rhythm with an experimental take • Catchy breakdown section You may notice that I’m not a big fan of Future House in general, I think that the majority of the tracks are identical, but from time to time I find some hidden gems that really catch my attention.
• Clean and catchy arrangements • Contrasting breakdown and drop segments • Influenced from the Twisted House style Among various other splendid up and coming artists who warrant our attention with their talent for engineering slick instrumentals, we today have another individual who has been efficiently successful with that. While browsing through the submission list,
• Emotionally tinged vocals • “Shy” attitude, suitable for an enormous and brave drop • Classic structure, but innovative mindset in the details Jack & James proving their mettle? Nothing unanticipated! As I have said many times before, they are an upright force in the niche of Future House, all credits due to the aggressive
• Infuriating duration • Blend of genres in a peculiar drop • Slick buildup, efficient elevation to climax I’m particularly fascinated by “Every Night“, an enjoyable oddity which has been released on Monday. Bonkr and Nem fused together Future House, Bass House and that STMPD-style Electro House that is trending, resulting in a curious hybrid.
• Surreal experience in the drop • Unexpected combination of two synergistic styles • Cliché vocal packed with surprises I have always kept a true respect towards Laidback Luke, one of the few veterans that, in my opinion, has managed to stay “real” in the scene, even after all this years. His Future House-oriented style
• KSHMR´s ethnic sounds fits perfectly with Brooks´ signature • Good balance between both influences • The magnificent vocal is a central point of the tune “Voices” was probably one of the most-awaited collaborations during these months, the expectations were high since KSHMR premiered it on his Tomorrowland 2019 set. Later, we discovered that the
• Delicate vocals from Goiza´s compelling voice • Steady start to an energetic conclusion • Repetitive but effective structure Jack & James are back on Revealed! Even on the sub-imprint Radar, they haven’t disregarded their signature Future-Funky vibes, working along with the new rising star David Jarvis and the powerful Goiza. I am proud of
• Lush and melodic break • Tipped towards Brooks’ Future Bounce style • Surprising twist before conclusion Out of all other frontliners in this industry, STMPD has continued to capture our attention with their avant-garde releases. They have struck a delightful and appealing balance between underground and commercial spectrum of EDM genre, allowing various talents
