All posts tagged in DImitri Vegas & Like Mike
While my excitement for Tomorrowland extending its duration for over three entire weekends remains quite less, I can understand why there’s a lot of hype from the fans: it’s been almost three years since one of the most anticipated festival in the landscape of EDM got postponed, repeatedly. Well, hysteria might have been running high
The initiating day of the April month is Friday and well.. artists aren’t fooling around. We have names such as Hardwell, Martin Garrix, Kura, and more in this first edition of Weekly Roundup from the second quarter of the year. Hardwell – Into The Unknown (Alternative Perspective) Before you proceed to feel puzzled, don’t. There’s
• Vocals, the pinnacle of this track • Minimal techno characteristics • Basic but effective schematics Usually, Smash The House’s uploads go unnoticed by me. The same can be said about their underrepresented sub-labels. For some obvious reasons, my interest in the label founded by Dimitri Vegas and Dis-like Mike has waned over time. So,
You know, the words “Episode IX” hurts to say. And if you haven’t been living under the proverbial rock, then you might know what I am hinting at. Yes, I am indeed referencing the notorious previous Star Wars we got as a “finale”. Adding to my woes, it was the last motion picture I saw
• Yeap, you’ve read the rating. I took my meds, I swear! • Excellent execution of the Christmas theme • Short Progressive House drop with the recognizable bells “The enemy of my enemy is my friend”, they say. Textbook Progressive House songs have found way into top of my “to-avoid” list, but I have found
Shooting a fish in a barrel, they say. It’s unnecessary to point out the problems that a project like Smash The House, and, more specifically, Generation Smash has, but people usually miss the big picture in these cases. Today we are analyzing the 19 months of growth of the DV&LM sublabel, that, starting from its
It has been a while! In the last months I’ve been very busy with some other project and, since recaps are taking a lot of efforts, I’ve stopped the series. However, today I’m excited to be back with a new mini-recap to talk about some of the notable tracks of the week and touch on
• Implausible involvement of the un-mentioned triage • Prototype version better than the final one • Only efforts from the Dutch creators in this project On Friday, thousands of fans from all around the world patiently waited to listen to the huge collaboration titled as “Raver Dome” from the so-called ‘3 Are Legend‘ alongside the
At the commencement of every one of these “negative reviews”, I always specify my opinion and verdict about them. This is not antipathy, and most of the time if we don’t appreciate a composition we disregard it, but at times it falls in our raison d’être to warn our readers about the extremely despicable things
This week was certainly a big one for albums with new ones from Illenium, Kayzo, and JackLNDN most notably. We’ll talk about the latter two along with some other tracks but leave the first for its own article. As always, we’ll be partnering with The QR Network to compile a short recap of notable tracks that we
• More W&W than expected • Strongly festival-oriented • Originally a “Komodo” rework, then modified because of copyright issues Capturing the attention among other releases this Friday, we are dealing with yet another significant team-up. Today we will be expressing our thoughts about the collaboration between the supergroup “3 Are Legends” and the leading Dutch
• There is no need for three highlights, please read the full review It would be futile to admit that you are reading this review just for the amusement, but rather because you want to see BLOOD. Don’t worry, you won’t be disappointed. I am usually really cautious with negative reviews, because disapproving someone’s else
• Armin and W&W are unstoppable right now • An “old but gold” second break structure • Festival tune whose main purpose is interacting with crowds Here I am again, reviewing another track from Armin Van Buuren and W&W, and it might be the third one in less than a month. Unluckily it’s not that they pay
80\100 • Big Room re-work of the iconic anthem • Excellent balance between original vibes and FTB influence • Energetic, slight variations adding a different flavour With a new Monday, we have another list of exciting releases to talk about. In this article, we will be specifically talking about an energetic remix which finally has seen the light
Another year, another Tomorrowland, another Tomorrowland EP from the bosses Dimitri Vegas & Like Mike. Unfortunately, this time we are not really happy with the results: apart of a couple of nice tracks, the selection disappointed us, especially because of the high expectations. Let’s begin! Dimitri Vegas & Like Mike vs. Hardwell – Unity
Dimitri Vegas and Like Mike are really two guys that attire my attention. They broke into the scene thanks to Swedish House Mafia letting them remixing together ‘Leave The World Behind‘ 10 years ago, then again, thanks to them pushing ‘Wakanda‘ during their One Last Tour, including the legendary Ultra Miami 2013 conclusive set. It
85/100 For many EDM aficionados, the Ultra Miami of the year 2015 was quite special. That moment and that place signed the debut of “3 Are Legends” trio, composed by the notable duo Dimitri Vegas & Like Mike, alongside the eminent American electro house producer Steve Aoki. They kick-started their energetic gig with a catchy
85\100 Tsunami” vibes, plus hardstyle, plus a catchy vocal. What can I say? “Crowd Control” is a perfectly efficient festival machine, a genial and clever idea! It’s a song that will make you bounce, have fun and entertain you. This time I need to compliment with Dimitri Vegas & Like Mike and W&W because, as
