All posts tagged in Debut
• This isn’t your typical Phonk track… • A brilliant fusion of melody and rhythm • Debut on Tribal Trap that sets the bar high When I first heard that Angemi had released a track on Tribal Trap, I was pleasantly surprised. Having made a name for himself on Smash The House and with DV&LM,
• Groovy, oldschool sound with a twist • Unusual release, nonetheless appreciated • Tech House influences in the drop Although it has been some time since we ventured into interesting releases from our colleagues at Intensity Recordings, things are thriving in the label. Between a plethora of quality festival releases, “Anywhere” by ZNZBR caught my
• Mysterious alias and suspenseful track • Unpredictable structure with surprises • Doesn’t incline to usual Phonk traits Having been bombarded by Phonk releases lately (a clear sign of the genre’s maturity towards a trending phenomenon), many trap producers signing onto the new style. Nothing wrong with that, although when I come across trivial and
• A mix of Bounce, Hardstyle, and Techno • Brutal kickdrum and bassline • Minimalism, more than usual Being a hardcore admirer of Will Sparks, I observed his evolution in recent years with much curiosity. From a pioneering figure in the niche genre such as Melbourne Bounce, the Australian alias has explored several worlds in
• Minimalist signature • Catchy loop with a sax and a kick • Perfect material for chilling out on a beach Usually, I am brutal towards commercial summer releases, who are often jumping on one or other bandwagons with next to zero creativity. Those are: • Reggaeton (worst of the bunch) • Slap House reworks
• DnB, Hard Trap, and Hardstyle in “Drux”?! • Bass and Tech House influences in “Losing Control” • Brutal and chaotic without losing balance Upholding a bold statement about their prolific visions, FVCK GENRES has greatly favored shifting between the demarcations of several EDM genres. Their latest upload, “Drux” EP is no exception either. Architected
As stated a few days ago, I temporarily shifted my focus on artists and not the music entirely, since the so-called established names are having a hard time to release impressive tracks as before. Let’s talk about one of my favorite producers around: Zafrir. He reminds me of KSHMR for some specific reasons, albeit there
• Ambitious début from a new, unknown name • Sweet and emotional vocal presence • Dreamy atmosphere, highly appreciated This review is sort of shot in the dark, as I have little to no idea about who Mavela is: his social media presence has just embarked with a début on Bedroom Movement imprint. I sympathize
Being on a constant routine of talking about singles has taken some toll on me, as I severely miss the distinctive nature of well-executed compilations. Every year there are strong contenders which restore my faith in the belief that albums are not becoming a rarer breed in the Dance spectrum. There is one to be
• Clean and catchy arrangements • Contrasting breakdown and drop segments • Influenced from the Twisted House style Among various other splendid up and coming artists who warrant our attention with their talent for engineering slick instrumentals, we today have another individual who has been efficiently successful with that. While browsing through the submission list,
• Darker tones tinged in discomfiture • Shape-shifting design, a risky yet unique choice • Commencement that underlines the label’s focus on creativity I’m carefully avoiding giving any favoritisms to Intensity Recordings, since I know the owners and the story behind it, thus the requisite of this giant disclaimer in this review: this is not
• STMPD-style house with ethnic vibes • Genial take with jazzy pre-drop fill • Good starting point for building up a signature style Back from where, exactly, considering that this is RevoideN’s debut? However, the young Turkish creator has demonstrated an impeccable quality, making me wonder if this is simply a new comeback alias, thus
• Emotional atmosphere, without exceeding with aggressiveness • Excellent work on the energetic bassline, in line with the other elements • Hypnotic outcome, thanks to the hooky vocal Dirtybot is a new independent label and we have decided to review their interesting debut release, “Shoot Me Down” from UK-Based producer Kcink. The artist has a
• Surprising use of the distorted vocal • Captivating, powerful drop • Impressive result for a debut release! “My Heart” is one of these little gems that are capable to penetrate my cold heart with their warm atmosphere. Despite being a bit generic, the title has been chosen wisely! Today I present you a great
