All posts tagged in Dharma Worldwide
• Orchestral melody • Something’s missing… Violins? • Fresh spin on the drop The trend of blending classical music with EDM elements hasn’t escaped me, and I like it quite a lot: probably because of the impressive results from different perspectives. It’s the case in several Sinphony releases, starting from the compilation released a few
• Beautiful guitar chords in the drop • Sweet bassline, not too aggressive • Risk of becoming predictable, almost avoided There’s one detail that I have always appreciated in Krimsonn— he always reflects the core themes of KSHMR’s label, Dharma Worldwide. Varying between genres, he retains the focus on natural instruments such as violins, guitars,
• Eccentric craftwork • Excellent breakdown atmosphere • Techy influence with the lead Together with aliases such as Will Sparks and Timmy Trumpet, Joel Fletcher is one of the most recognizable faces in the Melbourne dance scene and its bounce subgenre, which is characterized by upbeat basses and a distinct darker sound: all available in
• Mix of liked genres • Twists in the drop • Small but considerable variations Breathe Carolina has dived into Bass House lately, as several releases such as “WIFI” or “Sick” came out on Spinnin’. I found them a bit conventional, lacking that spark of creativity that usually gets me to review something. Things are
• Re-sampling of Flo Rida’s hip-hop hit • Tropical vibe with lovely percussion work • KSHMR showcasing his sound-design expertise Not the “worst summer track” of 2022 that I have come across, but I am delighted by the new creation from KSHMR, “Anywhere’s Home“. After a couple of under-the-radar singles, the American producer has made
• What’s going on with the vocals? • Creative switch between drops • Arcade-like lead with a 00’s vibe Being always first in line to commend genuine experiments and deploring boring and “safe” releases, I feel sorry to do so now. This one here, is simply too much. Dharma Worldwide, by far, remains as one
• Elegant touch, with finer details • Guitar solos in the back • More than it meets the eye Beforehand, I already had chance to analyze GRY’s involvement on “Now Or Never”, featuring Thomas Gold and NEVVE: it was a delightful spin on Brazilian Bass’s schematics which received quite the score. The London-based producer is
• Exotic flute bringing a breath of fresh air • Big Room-ish, clashing low-end • A real experiment with Future House, interesting! Can I take a moment and be brutally honest? Oh yes, it’s my article after all. Lately I have considered Thomas Gold as one of those many top honchos who are just here
Out of all the comments that our fans left about “Harmonica Andromeda” (from here on denoted as HA), one in particular impressed me the most, stating “KSHMR created an album knowing that its songs won’t be played live (in the upcoming months)”. That’s the key for comprehending this LP, a compilation that brings forth a
It perhaps would have been better to review the entire Dharma Sound of Summer Vol 2, but after near colossal and exhaustive article for the Musical Freedom album, I desired to do something more detailed this time. Nonetheless, Dharma grabbed the opportunity and dropped a splendid compilation, showing its various hallmark ethnic vibes and excellent
• KSHMR´s ethnic sounds fits perfectly with Brooks´ signature • Good balance between both influences • The magnificent vocal is a central point of the tune “Voices” was probably one of the most-awaited collaborations during these months, the expectations were high since KSHMR premiered it on his Tomorrowland 2019 set. Later, we discovered that the
Last month, we happened to delve in the realm of music production, as the brass tacks of audio creation happens to intrigue us often from time to time. Genesis Pro caught our focus previously, and this article will be dedicated to the latest revelation from renowned solo act KSHMR, whose impactful music has gathered countless
• Not spooky, but with the familiar bouncy drop’s structure • Charismatic performance by Charlott Boss • Complex, hard-hitting melodic schema Despite our negative impression of Hard Lights’ persona, especially after he resorted to insulting one of our fans when exposed about his use of story-watching Instagram bots, as a producer, I must admit that
GLDN, Lorenzo Dorin, is an infamous figure to long-time followers of our blog and the EDM Industry. His scandal with the label he founded, Cell Recordings, remains to this day one of our most viewed posts. About once or twice a year since then, there will be a momentous new revelation about his transgressions and
• Latino Hard-Bounce, another bizarre idea • Disordered medley of sounds which miraculously fit well altogether • Antic and dynamic vocal Mashd N Kutcher is not a usual name to begin, and, as you may expect, this Australian duo is absolutely unpredictable. This time they have collaborated and brainstormed with the connotational veteran, Reece Low,
• Can we stop remixing Holocaust psalms? • Appears to cash in on trending keyword and success of Marnik’s version. • Heavy doubts about its flat personality Do you know which review of us has been read the most in 2018? My negative take on “Gam Gam” from the Italians Marnik and SMACK, the
• Transcendent blend of all of the trio’s styles • Exotic, mysterious breakdown • Groovy drop which lacks a little bit of energy This review has been written by Stags Music. If you like his work, follow him on Instagram! Triple collaborations in EDM are quite unusual indeed, and when they do crop up, they
• Excellent vocal performance by Eddie Jonsson • The guitar in the breakdown is noteworthy • Predictable future bounce drop Dropgun is one of my favorite duos, and it’s not just their music. They have an excellent marketing strategy, focused on their purple mascot, Little Drop. You can find it on Dropgun’s recent covers and
While the first week of the year might have been a pretty big disappointment, this second week has brought us some real gems. As always, we’ll be partnering with The QR Network to compile a short recap of notable tracks that we didn’t have time to cover during the previous week. We hope you enjoy our selection and if
80/100 • Luscious female vocal as lead • Engaging drop, well-selected synths • Fair amounts of energetic signature sounds For today’s platter, we have the brand new single from American dance music heavyweight KSHMR, who has unveiled his new production for the audience. Titled as “Magic”, this melodic instrumental is a refreshing progressive house song
31\100 • Inexcusably misleading • Standard psy-trance structure • Lazy rework attempt I’m personally confused by some aspects of “Gam Gam” by the Dharma veterans MARNIK and SMACK. The cover makes you think that it’s a Halloween song, but it is not related to it. The original, which is a musical version of Psalm 23, has become a
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