All posts tagged in Rework
• Adheres to classic Future House with twists • Melodic approach • Versatile structure, refreshing to hear. As per demand from our readers, today’s review will be solely dedicated to “Zapdos”, a brand new energetic Future House record from Oliver Heldens. It doesn’t require much to figure out why it has turned out as this
• Animated and catchy beat-work • Heavily edited vocal performance • A revamp worth a discussion and listen Second chances are a rarity these days. Especially in the music scene, if the audience deems an artist as utterly “worthless” or “uninspired”, nine out of ten times the vox populi will negatively influence the overall perception
• Hoovers, rumbling kick.. all Techno! • Minimal and gritty • Shorter duration than expected If you happened to be following the Dutch imprint of Musical Freedom for a while now, it has become certain that they are steering towards underground talents and sounds to strike out as distinct. Ranging their record deals with likes
• Commercial and uninspired take • Popular Moombahton arrangement • Catchy to extent, only to turn repetitive Alright, the fact that electronic remakes are driving the wheels of a creatively dreary scene is becoming more pertinent with passing days. Mainstream dance music is thriving on the trend of washed out and desperate Slap House remixes
• Another useless, generic Slap House rework • Loud kick, usual bassline • Nothing valuable added to the pop hit The grand winner of this time’s bash is Wasback, with orthodox and untimed Slap House release; trust me, “Tik Tok” has ticked all the boxes in my checklist. – Cover of a famous pop song?
• Refreshing and invigorating twist • Progressive Trance nuances with stand-out features • Doesn’t dilute the emotions of the classic When the popular website of 1001Tracklists came out with its top 101 producers for last year, the first name was surprising for me but gradually making more and more sense to me. Oliver Heldens has
• Idiosyncratic vocal befitting Warden’s darker mood • Intricate melody that follows experimental schematics • Elegant and engaging arp synths “I just want people to forget about their problems and be happy“. This phrase by David Warden immediately caught my attention: with a genuine simplicity, the young German producer shows what he wants to achieve
• A brilliant rework • Future House twist on the original • Newer take on an earlier Future Bounce version Summer is far gone on this cold wintry day of November, but DAZZ, Ellie Sax and the upcoming vocalist Jessica Chertock crafted to bring forth some warming tropical vibes in my room! I am excited
• Return of the Dutch act on Spinnin’ Records after eight years • Contradictory decisions in the arrangement • Hasteful approach Every artist has their share of defining and significant moments, either it be a chord-striking performance or that one particular ground-breaking hit. And this sets a standard thereafter, which fans and critics look back
• Funk and Electro House together, great sinergy! • Adept sampling of 70s-style Disco Music • Dynamic instrumental This was long-awaited, let us not digress from the fact. Adept solo act Maurice West certainly knows how to keep his ever-growing fan-base biting their nails with nifty experimentations in his discography. And with this grabby ID,
• Sloppily insipid • Basic, generic, dull structure. • Imitates to be a catchy modern take, but remains forgettable Usually, we commend reworks: some antique melodies are the perfect material for a contemporizing twist! In the last months, we have preferred Olly James’ take on “Moving Too Fast” and “Life Is Music“, for instance. The
At the commencement of every one of these “negative reviews”, I always specify my opinion and verdict about them. This is not antipathy, and most of the time if we don’t appreciate a composition we disregard it, but at times it falls in our raison d’être to warn our readers about the extremely despicable things
• Everything fits, in a complex yet entertaining composition • Significant trio, efficient show of styles • Rework of a classic club-weapon by Sequenza No, you haven’t misread. The driving reason for a solid ninety to this is because of the fact I’m finally happy to see an essential collaboration that has been made because
• Modern take of Mr. Roy’s classic • Rhythmic and percussion-laden beat • Hooking and enchanting breakdown vibe There is a stark distinctiveness between the mainstream genres of the contemporary Dance music, and the appealing domain of the underground yet electrifying sector of the industry. Without digressing much, we will be talking of a latest Tech-House product from
• Alluring Future House twist • Charming vocal from Harrison (uncredited) • Modernistic, yet nostalgic While the days of sunshine and intense is almost at its dusk for this year, it seems that the notable DJ/Producers are taking no hiatus from providing a further score of hits for this season. Today our attention will be
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