All posts tagged in Rework
• Rework of the Nomad (and Bingo Players) hit • Not-so-predictable approach • Homage to 10 years of career “Devotion” marks a significant milestone in KSHMR‘s illustrious career as he celebrates 10 years of the project. Teaming up with 22Bullets, the duo delivers yet another stellar performance, showcasing their collective genius and creativity. The choice
• Rework of a rework of “Da Goodness” • Energetic G-House spin • Don Diablo really added that much-needed bounce! It’s amusing how this monumental collaboration between Major Lazer and Don Diablo is essentially a rework of “BabyLawd, DLegend – Jiggy Woogie,” which, in turn, draws inspiration from “Da Goodness” by Redman and Busta Rhymes,
• A Plot Twist with Different Elements and BPMs • Loaded with Lasers, Fills, and Intense Vocal Elements • Even More Aggressive Than the Original “Ground Shake“ wasn’t exactly a mellow tune to begin with, but now it’s been taken to a whole new level! The original track, a collaboration between Crankdat and Bandlez, is
• Subtle rework on the drop part • The first section is still intact • A fitting bassline for the peculiar vocal “Disco Pogo” from the German duo Die Atzen has always fascinated me back in the days as perhaps one of the noisiest songs to date. The dirty Electro House lead charging the whole
• Arrow‘s originality is completely gone • Unrecognisable results from these aliases • Generic, generic as hell Note: This is a more detailed review of the song from another perspective. The earlier mention can be found on the Weekly Roundup LI. Oh, Timmy… teaming up with the Rave Republic seemed like a pragmatic choice, as
• Techno-minded take on Soft Cell’s hit • A retro atmosphere to match the theme • Unexpected minimalism with fulfilling additives Declain bounds himself to experimenting with his ideal sound, this time bringing a darker Techno sound together with his trademark funky twist. Let’s be honest, “Tainted Love” adapts for the recent underground trend, without
• Similar to W&W’s version, but bouncier • Melbourne bounce and Italodance influences • Minimal yet equally robust If I were you, I would immediately take a mental note of the name: Ericovich. Even if slightly intricately spelled alias, more importantly, this Spanish producer knows how to do his work dutifully. Discovering him via the
• Genial rework of Alestorm’s hit • An innocent bagpipe that provides a hilarious contrast • Frenchcore with heavy “classic Hardstyle” flavoring Whatever knowledge that I have acquired so far about the tenacious world of Frenchcore stems solely from Sefa (thanks to Beatmad’s critics of his songs) and his colleague Dr. Peacock, so excuse my
March has initiated with plenty of music, as the festival season has started picking pace. This roundup is featuring music from this week and the last (since there wasn’t any), with tracks released by 3LAU, Alesso, Left Lucid, and more! Swedish House Mafia ft. Sting – Redlight 85/100 After a few months of keeping hush,
• Sampled “Happy Song” by Baby’s Gang • Pumping kick and energetic basses • Nice teaser for the upcoming album! On one side, I’m rather annoyed by KUNGS’s single-minded strategy of picking up 80’s classics and slightly modifying them, but from the other… They do work. Fresh off from the success of the summer’s hit
Not every classic release gets adorned as gloriously, remaining as a lesser known hit that is nonetheless fondly remembered. Happening to coincidentally finding today’s throwback last week, which I first listened back in ‘08 but didn’t catch its title due to lack of immediate resources back then (yes, internet was still at its infancy back
• Future Rave melody with Psy-trance elements • A redemption for the original track • Over-used formula We recently published the following part for the Squid Game remixes, but at the time of writing, this one wasn’t out yet. The original version of “Red Light, Green Light” was nothing short of disappointment, s boring Slap
• Great adaptation of the OST • Aggressive and powerful sounds • Nice amalgam of organic and electronic sounds I am well aware that my reviews are getting dedicated to Sefa’s creation lately, at the risk of looking somewhat a fanboy, but honestly, I am always highly impressed by this guy’s mindset. In an era
• Genial idea; hardstyle kick in a deep house beat • Delicate, mellow vocal performance • Stimulating idea from a newcomer I will start with this: the kick, is damn impressive. It’s this raw and thumping drum that hits hard in the guts with its powerful essence, and at the same time, clashes with the
• Ingenious sampling choice • Upbeat instrumental • Great homage to an evergreen hit It was about time that Fred Again.. would become a subject to one of my articles. After the delayed realization and discovery of his earlier successes, I was enthusiastically ready to cover any of his latest single. And there couldn’t be
• This is not Harris & Ford • Generic Slap House patterns • Annoying vocal over a Slap House style The duo is one of the rising star in the Spinnin’ roster, and for good reason. Like other talented names (notably LNY TNZ), they managed to bring their version of Hardstyle into a commercial environment.
Trivia of the week – In a 2018 financial survey, the global value of EDM industry was estimated over 7.9 billion USD. Hey, hey and hey! Episode seventh eh? Not bad, not bad at all. Glad to have you here, even if the intro segments are becoming increasingly offbeat. There seemed to be a sharp
• Festival re-work of a classic • Brassy leads of Future Rave with soaring atmosphere • Different from the usual “W&W” Big Room In the past several weeks, I saw developments announced from the Swedish singer-songwriter, Linnea Schossow. She hinted at an unexpected festival music heading this summer by mentioned the two international heavyweights; label-heads
• Pumping House: the new trend? • Catchy but as simple as a pen’s mechanism • Overexploited vocals Hearing the name of the somewhat iconic producer Marshmello is not common these days, as it used to be, having lost the same hype that saw the breakthrough of his music in the latter part of the
• Festival-oriented version • Stunning bassline • Refreshing a classic I remember of a specific review we did recently of “Bring Me To Life”, a modern magnum opus from Evanescence, done by Flynninho and gotlucky. It was a classic brought to life with a quality that is deemed necessary for this sort of works. Since
• An unexpected release • Mixes of Electro House and Dubstep • A total hymn for fans First of all, Mortal Kombat happens to be (with special regards to Doom) my favorite video game saga. Recently, the new film came out (thank goodness, the last one was atrocious) and a week before, Warner Bros. released
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