All posts tagged in EP
• Intense groove • Signature use of retro synths • Admirable attention to details Arising out of the varied catalog of Anjunabeats, Kasablanca has become a valued member of the imprint. The duology has a very strong affection for diving into unconventionality without straying entirely into the obscure leftfield. “Am I Dreaming?” is a resonating
Let’s be honest: a good chunk of EDM Reviewer’s readers, including myself, are nostalgic. Without entering the realm of psychology, many of our demographic grew up with Avicii, SHM, Hardwell & Co in what is called “The Golden Era of EDM”. Things change and this is part of life, but Intensity Recordings cleverly unleashed the
• Mia Vaile sings about loneliness with personality and passion • Heavy support from a splendid guitar component • Influences from Melodic Dubstep Continuing our journey of discovering newer, lesser-known talents possibly exploring different sounds in the EDM specter… This one packs a surprise, certainly. I couldn’t believe myself when I clicked ‘approve’ on this
The summer of 2017 had its own list of hits from the likes of The Chainsmokers and Zedd, including Calvin Harris with his “Funk Wav Bounces Vol.1”. Under this creative endeavor, listeners witnessed bodacious RnB grooves scattered throughout the album with noteworthy collaborators present such as Pharrell Williams, Ariana Grande, Khalid, A-Trak, John Legend, and
• DnB, Hard Trap, and Hardstyle in “Drux”?! • Bass and Tech House influences in “Losing Control” • Brutal and chaotic without losing balance Upholding a bold statement about their prolific visions, FVCK GENRES has greatly favored shifting between the demarcations of several EDM genres. Their latest upload, “Drux” EP is no exception either. Architected
The tag of “Future Rave”, as opined by two very notable acts involved at the mainstream front, has presented us with a brand new flavor of festival music. However, the nomenclature should equally act as an umbrella term for other efforts, one such done persistently by Blinders. The STMPD signed producer has, time and time
• Second single from the album “+” • Lively percussions, minimal ambience • Splendid vocals from Jimi himself Albums are a fascinating thing. Not only do they require severe execution that would render their content cohesive and narrative to each other, but experimentation that makes them stand out further. Mainstream dance music lacks from scarcity
• Cover of the beloved hit • Plastik might seem shy, but takes revenge in the Club Edit • Elegant ambiance by Dario & Ivan When the folks over at Revealed sent me the preview, I read “21st February” as the release date in the email so… I’m writing this review in a hurry. Perhaps
• Trance, Future Bass and more! • Pushed over vocals with quality lyricism • Different drops, a hallmark of Ophelia records American alias Far Out singlehandedly managed to craft an explosive mixture of sweet Future Bass and hard-hitting growls of Melodic Dubstep, enriched further with influences from Trance and Progressive House. I know, a lot
• Retro sound-set with quirky features • Fast paced yet dreamy • Melodic progressions rooted in the minor scale Lo-fi music has caught up in the modern sphere so much so that it is now much welcomed as soothingly nostalgic than unwanted buzz to be dismissed as cacophony. Many names, including the electronic music spectrum,
• Ambient melody • Creative sound-design • Playful schema with enhanced brutalism First of all, this might be my final review before onset of the vacation, so I hope you all are enjoying the last vestiges of summer (or winter, if you are from down under). Anyways, if planning for a sojourn, might I introduce
In a world where live music festivals have gone extinct, reputed imprint Glow Records decided to take the risk and present a five track EP. Consisting of regulars like Wyko, Sixcap and Zanny Duko, this also hosts unheard but promising names like D2J, SE3K and LinX. Surely this compilation will please most expectations of festival
The Big Room icons Blasterjaxx have been on a roll, releasing a bunch of singles including “Rulers of The Night”, which celebrates a decade of their formation. Further, they also plan to release fifteen tracks on top of the other that they released since this year’s onset. Thanks to them, the upcoming artists have a
Let’s be honest about one thing: most collaborations made nowadays are just a marketing strategy to maximize revenues. Okay, trying to make a life out of music is not bad, but the overall quality of tracks are drastically affected by these strange and fiscally motivated moves. Anyway, Pandora’s box taught us that hope is the
Hey there, welcome to second instalment of the “Weekly Roundup”! Awful good to have you here! Now, I am hoping the format is feeling all comfy for everyone running their eyes through this. Some changes will be made now and then, as it deems suitable to make this series more efficient. Alright, that being said,
My relationship with Revealed has been on a steep downhill in the last months, since I am not a big fan of generic Bass House, yet my respect remains untainted for the label. For celebrating its 10th year of existence, there is a brand new Remixed EP that comes with a bunch of Hardwell classics
• Experimental and Leftfield approach • Emphasis on synths, a signature • Alluringly abstruse albeit minimalism In my current list of Electronic artists who have earned a great deal of my admiration, Agents of Time have found themselves atop for their singular methodology towards this industry. After having clicked on one of their recorded performances
• Minimal arrangements • Particular emphasis on melody and sound-selection • Profound and intense without an intricate set-up It has been on my checklist for a while to discuss about the reputed imprint of Afterlife for a few months now. As I traverse more into melodic soundscapes of Techno, the said collective has fascinated me
• Vomit Dubstep? Absolutely • Repetitive but catchy drop • Signature melody in the track Black Label has recently released the very first EP for this year made by the young talented producer Cripplingg. At a somewhat outlandish attempt, it has been titled “Sucks” and if read together with the artist name, you will see
• Mellow and charming presence • Minimal, yet intriguing till end • Memorable ambience A few days back, we asked our community on which song would they prefer us to talk about and a sheer number of individuals mentioned of this track. Upon further inspection, I understand now. Up and coming music producer Yeti Tears
• Mysterious atmosphere • Catchy and danceable melody • An excellent end of the year for Disciple! With the end of the year around the corner (at the time of writing), it is as good a time as any to celebrate it with some rising talents! Disciple Round Table has shown consistently on how focused
