All posts tagged in 2020
We have a great community of supportive readers, but perhaps even that won’t save us from some dose of hating on this article. However, transparency has been the core motifs of EDM Reviewer since day one. That being said, we want to share our thoughts without cowering from negative reactions. If there is any chance
What started as a hopeful beginning with the new decade for music sector quickly overturned into its greatest hinderance ever. There is only handful amount of days left before the calendar changes, and prior to that, we thought of taking an opportunity to reflect on this last 365 days: the bad, the worst and sliver
• Easy-to-remember melody • Heavy 2015 old-school structure • The drop seems rather boring, isn’t it? Who remembers Basto? If you happen to be an old-school EDM fanatic then you must have heard his name, especially with major releases in imprints like Spinnin’ and Kontor in the past decade. Anyways, Basto has come back unexpectedly
EDM is a global phenomenon that has been contributed by a monumental amount of creative artists. Usually, artists of one genre want to join forces with producers from all over the world to create memorable productions, or in this attempt fail and move on. This being said, I will take this opportunity to show some
• Alienating and repetitive vocal, akin to days during lockdown! • Bouncy drop, easily danceable • Interesting parallelism with the current situation Hailing from Netherlands, the creative act Bonkr left a great impression on me with his bouncy collaboration a couple of months ago… and now he is back with to present his production mettle,
After 6 months of one of the strangest years in human’s history, with an ongoing global pandemic, we can try to be positive and analyze what happened in the EDM scene. These are some of our conclusions for this period: 1- Streaming Services consolidated their fundamental position: now everything, from songs’ durations to release dates,
Since commencement of lockdown and self-isolation period, there has been a gargantuan decline in outdoor events. With nearly all festivals postponed till the next year or so, some have come up with another solution to this: online events. Approaching this methodology, the Belgium held esteemed festival TomorrowLand has also decided the same. “Around The World”,
Glow Records is one of those independent labels that constantly managed to impress us. Born under the influence of the huge channel ElectroHouseMixes, the upcoming imprint keeps delivering quality releases with a solid roster. Creative picks, often progressive house, respecting the newcomers (often giving extremely professional outcomes): is what we like about Glow. We have
Another year, another sampler. 2020 is the year of Coronavirus and the meetings in Miami Music Week are essentially not happening (considering that Ultra is cancelled), but, luckily, we have the samplers! They are online, they can’t damage us… Unless in rare cases. Overall 66/100 Jokes apart, like every year we put our dirty hands
