Recently, I had the pleasure of diving into the musical realm of J. Louix through his latest EP, a prelude to an upcoming LP slated for early 2024. As a part-time music professor and a recognized artist with editorial picks on major streaming platforms, J. Louix brings a fresh and innovative approach to his creations. It’s clear that there is a study and lots of effort behind the scenes in order to carefully manage all his musical ingredients, and the result is the “Jeez Louix” EP. Which is, for a reviewer seeking diversity and complexity, a goldmine..
Named after the New York-based artist, “Jeez Louix” consists of 6 distinct tracks, each bearing common elements yet offering a unique personality waiting to be unraveled. What sets this EP apart is the profound exploration of vocal modulation, employing chops, distortions, and melodic patterns crafted solely through the human voice.
While the EP presents a complex ensemble of sounds during several key moments, exploring vocal manipulation in intricate ways, the intensity may be overwhelming for some listeners. I recommend making a second session and “taste” the details, as there were some parts I managed to fully enjoy after a couple of back and forth.
Smile
80/100
“Smile” stands out with its glitchy undertones. The vocal modulation here is particularly impressive, showcasing a mastery of shape-shifting details. The experimental nature of this track provides a sonic adventure that keeps the listener engaged.
ok
81/100
In “ok,” J. Louix intertwines vocals seamlessly with background notes, creating an oldschool structure reminiscent of SHM-like Progressive House… Plus his unique touch! The balance of vocal chops, notes, and distortions, though intense, demonstrates an innovative approach to sound design.
Tinsel (me) (feat. Soy Christmas)
85/100
“Tinsel” takes a slightly different trajectory, offering a rework of an older tune from Jeez Louix’s project Soy Christmas. Here, the vocals, though still distorted, take on a softer quality. The Electro bassline in the background adds depth and maturity, reminiscent of the iconic “Levels” intro by Avicii before taking a darker turn. Among the tracks, “Tinsel” emerges as a gem with its maturity and clean sound design and has something more than the rest, in my opinion.
In conclusion, “Jeez Louix” offers a delightful and experimental indie-electro experience. The vocal-centric approach, although initially unconventional, seamlessly blends with Electro/Prog elements, creating a comfortable yet intriguing sonic landscape.
As we eagerly await the LP in 2024, “Jeez Louix” provides a tantalizing glimpse into the artist’s avant-garde musical journey. Speaking of that, he’ll be supporting Joy Anonymous at Knockdown Center 12/15 in NYC, so if you are there, don’t miss the chance to listen to these amazing tracks live!
Pro tip: keep an eye on “Tinsel”, I wouldn’t be surprised to hear it played around.
What do you think?
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