• Unexpected collaboration and outcome
• Heavy-hitting and groovy rhythm
• Follow-up of “Tung!”
Sequels can be risky to pull off. Be it any kind of artist, replicating a successful formula can either get appreciated or termed as a blatant disregard for experimentation. This being said, today we have the pleasure of talking about the latest creation from two headlining acts: Deniz Koyu and Magnificence. This collaboration is no short of a surprise, and their joint-effort “Feel It” isn’t as well! Released this Friday on Musical Freedom, this festival cut track has amped us up!
Readers here would perhaps unanimously agree of our title, denoting of the long period we haven’t mentioned both of them in our articles. We assure you, it was not intentional in any sorts, and plenty of times we found ourselves praising their recent works. Dutch pair Magnificence has transformed their signature over the past couple of years, going for a hybrid of Bass/Electro House sound. Their EP “II” demonstrated apex of their fastidious production nature, blurring genre lines effectively and presenting their mettle.
Surprisingly enough, we haven’t dedicated an entire article on Deniz Koyu until today. The German heavyweight had many hits in his career, ranging his style from striking Electro House to melodic concoctions. His preceding release “Enemy” on STMPD bases itself as a summer-y song with an alluring vocal.
Returning to our subject for today without much digress, the said instrumental commences on a riser, with a female vocal snippet at the centre of the stage. Not a mere second passes and the dirty, electro supersaw appears aggressively. The riff so played instantly reminds us of “Tung!”, a breakthrough work from Koyu back in 2011. Recognisable instantly with its tribal and groovy attitude, the melody is then superseded with assortment of percussion heading towards the drop. This segment is entailed by the mentioned hook, meticulously arranged with plenty of low-end and drums accompanying the mix. One cannot deny the heavy-paced yet effectual rhythm embedded here!
There is somewhat more Koyu influence than Magnificence; the breakdown resorts to simpler repetition of the vocal, along with requisite backdrop to continue the energy, keeping the kick present. Choosing not to extend more than necessary, this section transitions to the same build-up, elevating strongly towards the hulking and blistering finale.
Concluding, “Feel It” delivers main-stage stamina without being prosaic, and as a follow-up of an earlier hit, we definitely believe this one does more than enough justice!
What do you think?
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