All posts tagged in Maddix
• Angelic vocal midway through • Dirty Techno, lots of interesting details • Old and New united UMEK has been in the scene for a while, although I didn’t think that we were talking about three decades! The Techno head-honcho has just marked thirty years of his career with the 300th release on his label
Packed with big timers, the sixty-seventh edition of the roundup has Hardwell, Vorwerk, Vicetone, and more. Let’s have a brief look at their latest releases! Shouse, David Guetta – Live Without Love 81/100 The “Love Tonight” duo has devised a nifty trademark sound in the scene, and in a new collaboration with David Guetta, they
With the first month of 2023 nearing its end, there’s been a lot of records that make this year an attractive prospect. This time, we have veterans such as Afrojack & R3HAB, Pitbull, Hardwell, and other promising talents with the latest tracks. R3HAB, Afrojack – Shockwave 72/100 A sonic association between two EDM veterans is
• Guetta’s version wasn’t exactly a masterpiece • Missing chance to showcase their new styles • Techno kick, long buildup “Satisfaction” by Benny Benassi is one of those classics which we all are familiar with hearing in live sets often, owing to its simpler and effortlessly catchy setup that has remained timeless. Personally, the vocals
Here’s a fun fact for y’all out there: the first Weekly Roundup came out on the 3rd of June, 2021. And this edition covers releases from the same date a year later, which fell a day later on a Friday. Anyways, boatloads of music to cover from the likes of Kx5, Magnificence, Blasterjaxx, and more!
One done, eleven to go! With January done and the approaching festival season (which hopefully will go according to plans), aliases are equipping their discogs with further explosive tunes. This roundup contains some of them, notably from Chainsmokers, NWYR, Kura and more. Disclosure, Zedd – You’ve Got To Let It Go If You Want To
The tail end of 2021 and the first month of this year has been quite intriguing for Maddix, who remember, is transitioning into an experimental Techno state from his previously dirty Dutch Big Room era. Beforehand, I stated my mixed feelings towards his newer attempts although the evolution had caught my ears, knowing he is
As obvious as it could get, a bunch of new Squid Game remixes have already emerged in the past weeks. Let’s be honest: many artists jumped on the bandwagon to get that moolah, but this time around there’s a lot of quality put in the edits for this trending Netflix’s hit soundtrack. We have three
My relationship with Revealed has been on a steep downhill in the last months, since I am not a big fan of generic Bass House, yet my respect remains untainted for the label. For celebrating its 10th year of existence, there is a brand new Remixed EP that comes with a bunch of Hardwell classics
• Thematic yet distinct • Powerful sway… as per the norm • Hypnotizing melody In a previous article, I touched on Maddix’s creation titled “Technology”, I explained why it fell just short of perfection due to factors primarily revolving around its axis of monotony. I made the point that the early stages of rebranding should
Seven additions into his discography later, my curiosity towards Pablo Rindt, better known as Maddix, has grown more than ever. Trading his powerful and energetic Big Room sleeves for a dense blent of various genres, he has made it more than just attention-worthy. As I have mentioned in my prior reviews, I have been a
• Captivating hybrid of genres • True to his classic sound • Slightly monotonous Upon hearing that Maddix was changing his style, I can’t say I wasn’t discontented. Having been a huge fan of his aggressively driven Big Room hallmark for years now, it was hard for me to imagine ever being blown away by
• Maddix’s trading Big Room for Techno signature • Hypnotic breakdown, manipulative atmosphere • Huge hit or miss with the drop There was a lot of hype gathering around Maddix in the past weeks. Mysterious teasers, social pictures turning pitch-black, rumours about albums, collabs, a new label… Too much noise for a “normal release”, in
After finally getting adjusted to my new schedule, I’m happy to be back for a special edition of the weekly recap here on EDM Reviewer. Over the past few weeks, I’ve been disheartened by many releases and couldn’t bring myself to pick and write about nine of them. So as a result, I’ve picked nine
Week 38 Recap Featuring David Flix, Guy Arthur, Lewka & Foxa, the Next Chapter of Mixmash, and More!
After taking a week off to cover Imagine Festival, we’re back with another recap! We’ll talk about the rise of Mixmash Bold from the ashes of Ones to Watch and a few other selections. As always, we’ll be compiling a short recap of notable tracks that we didn’t have time to cover during the previous
DBSTF are back and it’s as good as you’d think it’d be! Plus Brooks finally releases his remix of American Boy, Maddix returns to Revealed Recordings, and Haywyre gives a much-needed remix to Martin Garrix’s summer hit. As always, we’ll be partnering with The QR Network to compile a short recap of notable tracks that we
• Standard structure • Characteristic leads • Powerful drops “Bigroom Never Dies” was one of the most popular EDM slogans last year, and it seems like this year it won’t either die. Revealed continues trusting in some of his already known protégés, whose Big Room music started sounding very fresh, but after a few time it’s starting
77/100 • Psytrance structure with ethnic tones • Fitting vocal snippets • Predictable yet intense Among various releases this week, in this article we are going to divulge briefly about the new release from Dutch talent Maddix, who has kept his constant name on the Big Room house genre via his productions on Revealed Recordings, and the Australian
Each week we’ll be partnering with The QR Network to compile a short recap of notable tracks that we didn’t have time to cover during the previous week. We hope you enjoy our selection and if you have any tracks you’d like to see here, please feel free to use our contact form or post
77/100 • First collaboration of the involved names • Relies on Psy-trance elements heavily • Slacks on creativity, yet displays energy With the hulking and bass-driven genre of Psy-trance playing its significant role in major festivals across the globe, this style of dance music has seized the throne with its intensity. Multiple releases have been
44\100 • Another -sigh- rework of the traditional Italian song • Tasteless festival big room result • Biggest con: the lack of identity Rejected. I closed an eye on the Alok version of “Bella Ciao“, and another one with the Steve Aoki & Marnik rework, but it’s the third time that I’m coming here explaining
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