All posts tagged in Big Room
• Big Room with an emotional buildup • Insane pre-drop tension • One of the most creative drops of 2025 Ah, orchestral buildups always get me. Pair that with a gorgeous vocal and wowowow, I wasn’t expecting that drop at all. Jaysic and Jason Robert really nailed something special with “Lose Control”: that first hit
• Timeless melodic Trance with a sweet twist • Vocals softer than silk • Melody that lingers long after it ends I’m calling it: “Stay Forever” is one of the sweetest Trance tunes of the year. DGoh and OZDMR dropped it on Reaching Altitude and it’s been living rent-free in my head ever since. DGoh’s
• 90s vibe with a simple pattern • Vocal-driven drop with serious punch • Pure club energy with clever details Today I needed something with energy, something that could shake up the day a bit. CIIMERA‘s “Blurry Lines” did exactly that. He’s been making moves lately, with some solid support across radio shows (even Austin
• Cyberpunk-inspired but not cliché • Psy, Big Room, and cinematic vibes collide • Lights and darks, like Yin and Yang I love when the artist nails the description before I even press play. RENESIS calls this one “Beauty forged in Chaos” and honestly, that’s the perfect way to put it. “Sakura” is a stunning
• Heavy kicks, Big Room drama, rawstyle switches • Exploding energy from start to finish • One-shot vocals bring real chaos ALWZ SNNY is back with something loud and rowdy just in time for summer. “Rebel” is exactly what it says on the label, a track that doesn’t follow the rules, doesn’t care to, and
• “Secrets” structure with “Everytime We Touch” melody • But screw it, it’s fun and energetic • Slight W&W touch on the kicks My craving for some quality big room is so high that I’m ecstatic about a song that is blatantly “Secrets 2.0″ without much effort added. And the melody weirdly resembles “Everytime We
• Contrast between harsh techno and soft orchestral breaks • A massive lead melody cuts through gritty basslines • Lana, reimagined Cedric Gervais’ remix of Summertime Sadness is iconic. A Progressive House anthem that defined an era. So, when Nik Stone, Lazard & Averro took on the challenge 13 years later, I was intrigued. The
• 2015 vibes in the main drop • Strong vocal performance to valorize the breakdown • Excellent melodic switch in the second half “Go” by Winning Team is a standout Big Room track that hits all the right notes, blending great vocals, melodic shifts, and energetic bass to create a captivating piece of dance music.
• Raw, aggressive sound • Signature distortions and dark drops • Pushing Techno boundaries Dada Life’s label, “Crash & Smile,” is all about pushing the limits of EDM, never sticking to just one style and always delivering fresh, unexpected sounds. Alex Mueller & Kaoru‘s latest track, “Techno Drug,” fits right in, bringing a new twist
• The whistle is the king of the track • Blended with Revealed’s essence • Frenetic and energetic as usual If you listen to the drop of “Remedy,” it’s quite funny at first. It’s a whistle, like the one lifeguards use. Then, if you give the track a few seconds, the bassline kicks in, adding
• Several interesting elements • Dark, energetic, futuristic pattern • Sonar-like sound adding some mistery to the atmosphere The Finnish producer Max Lapinsuo-Sylwén has stepped into the spotlight with his compelling debut, “Countdown”, an Electro/Bass House fusion that immediately caught my attention on its release day. With over a decade of experience in the dance
• Of course, a rework. And a follow-up of “Thank You” • Eminem’s hit transformed into a Festival mix • Gabry Ponte added a spark of vitality to the drop Here we go again: the trademark DV&LM mega collab, often accompanied by super famous names and perceived as lacking substance… Except, this time, it’s different.
• Wait for the second drop • Happy at first, then takes a darker turn • Cheesy vocal, avoidable As I listened to “Midnight” up until the first drop, I found myself somewhat disinterested in this Happy Hyperpop rendition. Sure, the BPMs were soaring, but it lacked that adrenaline kick I was yearning for. This
• Clear distinctions between their respective styles • Two drops bursting with energy and aggression • Infectious melody and lively basslines The Rave Culture roster has started to feel somewhat predictable, with the same familiar names consistently delivering quality productions, but lacking that spark of innovation that new talent often brings. That’s precisely why I’m
• Punk rock in the breakdown • Captain Curtis‘ growing expertise in “modern” Italo Dance • Catchy, fun track for those nostalgic Some months back, I touched on the allegations about Timmy and his ghost producers — and my opinion remains unchanged. There’s a need for transparency in EDM, however that’s for another day. “Just
• Retransforming the breakdown • Anti-climax in the drops • Modernistic original, futuristic remake Thinking about it now, “Giratina” was ahead of its time. Dimatik, Monik & Carroch unveiled the gem almost a decade back; a moment when Melbourne Bounce was slowly transitioning into the Vini-Vici style Psy-Trance, and was one of the first tracks
• Classic big room twist • Saberz-W&W influences • Linear but energetic Oftentimes, there are considerable comments on artists who once pursued Big Room— when it was trendy that is— and have since moved on to greener pastures, so to speak. Good thing we have independent producers who are willing to stick to their roots
• Still slaps in 2024 • Oldschool lead, saws, kicks, everything! • Consistently energetic It’s hard not to be overtaken by nostalgia, as I (and surely many others reading this) grew up with these Revealed cover arts and Big Room sounds: Oldskool Sound” is kicking me right in the feels! But guys, what a banger!
• Classic, energetic, and fun • Suspense in the breakdown • Missing that innovative spark Today’s one of those days where I just want to press play on some energetic tunes and enjoy— possibly with an unexpected twist on it. Naturally, the choice has come to Big Room; one of my favorite genres, most of
• Trance and Big Room • Mighty brass stabs • Throwback to 2010s Let’s press rewind for a while. It’s 2013. The so-called EDM era is in full swing— big room, progressive house— you name it. Among several hits that came out the said year, it was Armin van Buuren’s “This Is What It Feels
• Finally, the trio is working together • Predictable structure • Energetic but lacks a unique twist There is something magical in the way W&W and KEVU conjured to devise a powerful banger; leaving me impressed even after so many years of listening to the same Big Room sounds. Their recent association “Incoming”, released on
