All posts tagged in Big Room
• Wait for the second drop • Happy at first, then takes a darker turn • Cheesy vocal, avoidable As I listened to “Midnight” up until the first drop, I found myself somewhat disinterested in this Happy Hyperpop rendition. Sure, the BPMs were soaring, but it lacked that adrenaline kick I was yearning for. This
• Clear distinctions between their respective styles • Two drops bursting with energy and aggression • Infectious melody and lively basslines The Rave Culture roster has started to feel somewhat predictable, with the same familiar names consistently delivering quality productions, but lacking that spark of innovation that new talent often brings. That’s precisely why I’m
• Punk rock in the breakdown • Captain Curtis‘ growing expertise in “modern” Italo Dance • Catchy, fun track for those nostalgic Some months back, I touched on the allegations about Timmy and his ghost producers — and my opinion remains unchanged. There’s a need for transparency in EDM, however that’s for another day. “Just
• Retransforming the breakdown • Anti-climax in the drops • Modernistic original, futuristic remake Thinking about it now, “Giratina” was ahead of its time. Dimatik, Monik & Carroch unveiled the gem almost a decade back; a moment when Melbourne Bounce was slowly transitioning into the Vini-Vici style Psy-Trance, and was one of the first tracks
• Classic big room twist • Saberz-W&W influences • Linear but energetic Oftentimes, there are considerable comments on artists who once pursued Big Room— when it was trendy that is— and have since moved on to greener pastures, so to speak. Good thing we have independent producers who are willing to stick to their roots
• Still slaps in 2024 • Oldschool lead, saws, kicks, everything! • Consistently energetic It’s hard not to be overtaken by nostalgia, as I (and surely many others reading this) grew up with these Revealed cover arts and Big Room sounds: Oldskool Sound” is kicking me right in the feels! But guys, what a banger!
• Classic, energetic, and fun • Suspense in the breakdown • Missing that innovative spark Today’s one of those days where I just want to press play on some energetic tunes and enjoy— possibly with an unexpected twist on it. Naturally, the choice has come to Big Room; one of my favorite genres, most of
• Trance and Big Room • Mighty brass stabs • Throwback to 2010s Let’s press rewind for a while. It’s 2013. The so-called EDM era is in full swing— big room, progressive house— you name it. Among several hits that came out the said year, it was Armin van Buuren’s “This Is What It Feels
• Finally, the trio is working together • Predictable structure • Energetic but lacks a unique twist There is something magical in the way W&W and KEVU conjured to devise a powerful banger; leaving me impressed even after so many years of listening to the same Big Room sounds. Their recent association “Incoming”, released on
• Classic EDM combining indie elements and guitar riffs • Optimistic and high-spirited atmosphere • A radiant vocal performance by ruben. What happens when you combine Tollef’s funky guitar artistry and Nu Disco production skills with the eclectic Future House influences of Aiobahn? The answer is obvious: this joyful creation! Released on Don Diablo’s HEXAGON,
• A fearless exploration of new sounds • High-Pitched Note as the protagonist • Angelic Vocal Loop in the breakdown What instantly grabbed my attention with “High Up In The Air” is its boldness in experimenting with a fresh sound, constructing an entire drop section around it, and layering a mysterious breakdown on top. It’s
• Angelic vocal midway through • Dirty Techno, lots of interesting details • Old and New united UMEK has been in the scene for a while, although I didn’t think that we were talking about three decades! The Techno head-honcho has just marked thirty years of his career with the 300th release on his label
• Aura of mystery throughout • Unusual vocal choice, appreciated • Focus on the heavy bass rather than the melody Once again, we find ourselves discussing a dream team of beloved artists. This time, it’s three names that have graced our reviews multiple times, finally coming together: R3SPAWN, Kazden, Karasso, and featuring Brunetti on vocals.
• Finally something genuine! • Great synergy with the vocals • Surprising twist afterwards My expectations about R3HAB who most probably didn’t even open the project file for “Rock My Body” once, were low as always. For an artist thriving in fame lately, I was hoping for a more inventive take on the Trance classic
• Bad? No, just… Generic • The usual recipe • No traces of R3HAB It is distressing to give such a low score to W&W, who are doing great endeavors in the Happy Hardcore scene and running their label excellently, but I am tired of these releases always following the same formula. “Million Places” comes
• Glitchy elements, experimental drops • Misleading title • Hypnotic aura with a mysterious allure Whales (aka Sex Whales) has returned to our blog with another smasher, made in cooperation with producer CURE97. Honestly, the title got me intrigued as I am an avid listener of “Big Room”. Don’t be fooled – this one is
• Yes, the structure is not THAT unique • Rigorous work on the percussions • Entertaining results due to a passionate approach It’s time to head back to the roots and review less-talked-about music, capable to give a spin without too much fuss and stream-hoarding techniques. After receiving this submission from BreakdeX and Syzero titled
• Striking vocals, very energized • Familiar, attempt at innovative bassline • A nostalgic release It’s with great pleasure that I have come bearing a straight-from-the-roots banger from three familiar names – JaySic, Castor & Pollux. My praises are already out there regarding JaySic in previous reviews about his work in Intensity Recordings, meanwhile, the
• Several versions for all tastes • Extraordinary melodic sequence • Well-fitting vocal (in the original, less in the VIP) Let’s bask in the euphoric festival vibes as the Tomorrowland season kicks off! Today, I bring you a dual release from the talented Neil Degas, featuring the enchanting vocals of Scarlett. “Braveheart” weaves a tale
As I mentioned in my previous review of “Eye Of The Storm”, Ironheart has a remarkable talent for creating not just stories or tales, but entire journeys through his music. With a unique blend of Dubstep, PsyTrance, Electro House, and orchestral/medieval elements, his latest EP, “Outremer“, released by New Dawn Collective, delivers a solid 90+
• Impressive and stunning twist in the finale • The rest is clichè, but well made • Hard-hitting kick on a minimal, reverberated bass It makes me delighted to review this track, considering that I am not a fan of both of these artists. Aoki has jumped on the crypto-NFT bandwagon with doubtful results for
