All posts tagged in Big Room
• Classic EDM combining indie elements and guitar riffs • Optimistic and high-spirited atmosphere • A radiant vocal performance by ruben. What happens when you combine Tollef’s funky guitar artistry and Nu Disco production skills with the eclectic Future House influences of Aiobahn? The answer is obvious: this joyful creation! Released on Don Diablo’s HEXAGON,
• A fearless exploration of new sounds • High-Pitched Note as the protagonist • Angelic Vocal Loop in the breakdown What instantly grabbed my attention with “High Up In The Air” is its boldness in experimenting with a fresh sound, constructing an entire drop section around it, and layering a mysterious breakdown on top. It’s
• Angelic vocal midway through • Dirty Techno, lots of interesting details • Old and New united UMEK has been in the scene for a while, although I didn’t think that we were talking about three decades! The Techno head-honcho has just marked thirty years of his career with the 300th release on his label
• Aura of mystery throughout • Unusual vocal choice, appreciated • Focus on the heavy bass rather than the melody Once again, we find ourselves discussing a dream team of beloved artists. This time, it’s three names that have graced our reviews multiple times, finally coming together: R3SPAWN, Kazden, Karasso, and featuring Brunetti on vocals.
• Finally something genuine! • Great synergy with the vocals • Surprising twist afterwards My expectations about R3HAB who most probably didn’t even open the project file for “Rock My Body” once, were low as always. For an artist thriving in fame lately, I was hoping for a more inventive take on the Trance classic
• Bad? No, just… Generic • The usual recipe • No traces of R3HAB It is distressing to give such a low score to W&W, who are doing great endeavors in the Happy Hardcore scene and running their label excellently, but I am tired of these releases always following the same formula. “Million Places” comes
• Glitchy elements, experimental drops • Misleading title • Hypnotic aura with a mysterious allure Whales (aka Sex Whales) has returned to our blog with another smasher, made in cooperation with producer CURE97. Honestly, the title got me intrigued as I am an avid listener of “Big Room”. Don’t be fooled – this one is
• Yes, the structure is not THAT unique • Rigorous work on the percussions • Entertaining results due to a passionate approach It’s time to head back to the roots and review less-talked-about music, capable to give a spin without too much fuss and stream-hoarding techniques. After receiving this submission from BreakdeX and Syzero titled
• Striking vocals, very energized • Familiar, attempt at innovative bassline • A nostalgic release It’s with great pleasure that I have come bearing a straight-from-the-roots banger from three familiar names – JaySic, Castor & Pollux. My praises are already out there regarding JaySic in previous reviews about his work in Intensity Recordings, meanwhile, the
• Several versions for all tastes • Extraordinary melodic sequence • Well-fitting vocal (in the original, less in the VIP) Let’s bask in the euphoric festival vibes as the Tomorrowland season kicks off! Today, I bring you a dual release from the talented Neil Degas, featuring the enchanting vocals of Scarlett. “Braveheart” weaves a tale
As I mentioned in my previous review of “Eye Of The Storm”, Ironheart has a remarkable talent for creating not just stories or tales, but entire journeys through his music. With a unique blend of Dubstep, PsyTrance, Electro House, and orchestral/medieval elements, his latest EP, “Outremer“, released by New Dawn Collective, delivers a solid 90+
• Impressive and stunning twist in the finale • The rest is clichè, but well made • Hard-hitting kick on a minimal, reverberated bass It makes me delighted to review this track, considering that I am not a fan of both of these artists. Aoki has jumped on the crypto-NFT bandwagon with doubtful results for
• Captivating blend of Hardstyle, Bass House, Future Rave, and Big Room influences • Uniquely reimagined classical structure • Dynamic and ever-evolving composition I must confess, it’s truly a delight to witness such an extraordinary amalgamation in “Bring The Fire,” especially considering its release on the renowned Spinnin’ Records! Despite my personal qualms about Timmy
• Trance Techno Experiment • Well done homage to the original • Slightly linear, but modernized Released a while earlier, I found this quite recently and couldn’t contain the excitement for reviewing it. “ResuRection” is one of those classics which I have listened to over the years, not having remembered its title or creators. The
• Explosive, out-of-the-box drop style • Bouncy bassline • Excellent blend with the existing Phonk staples The two Italian creatives YOLO KULT and Carl Lazy couldn’t make me any less content with their booming “Thunderbolt”! Just like a lightning bolt, the composition blasts and roars with an impressive assortment of basslines and hard-hitting lead. It’s
• Shibui is gone, with same vocal style • Flute, violins, and Big Room leads in the mix • Hard-hitting Psy While I couldn’t admire “Hurricane”, a very predictable bouncy Psy-Big Room style that soon becomes exhausting, I feel that “Coconut” effectively attempted to take a step further. The protagonists on this stage remain the
• No experiments from Dimas • Repetitive melody with an energetic bass • The pair reunited after 12 years. My respect for Angger Dimas has always remained particularly because of his unconventional and particular style. Give a listen to “Phat Brahms” with DV&LM and Aoki (not the 2.0) to get an exact measure of what
• Experimental hybrid of styles • Future Rave with ZNZBR‘s twist • Even more suitable for Intensity’s sound! A while back, we praised ZNZBR‘s hard-hitting House sound, which seamlessly blends Tech House influences with a Festival mentality that perfectly aligns with Intensity Recording’s style. “Anywhere” was great, but I couldn’t help but feel that it
• Catchy and easygoing loop • Experimental first drop, followed by Hardstyle in the finale • Ample room for building up to the climax MadaxX may be a new name to me, but this German artist has already generated quite a buzz. I carefully read his bio, which revealed his passion for the piano at
• Usual Melodic Big Room structure • Catchy buildup, solid vocal performance • Lacks that “unique” factor to be unforgettable You may be familiar with “Daddy DJ” under several instances, such as “DotA” (or “All I Ever Wanted” in English version) from Basshunter, or the funny edit by Crazy Frog with way more views on
• This isn’t your typical Phonk track… • A brilliant fusion of melody and rhythm • Debut on Tribal Trap that sets the bar high When I first heard that Angemi had released a track on Tribal Trap, I was pleasantly surprised. Having made a name for himself on Smash The House and with DV&LM,
