In the realm of electronic music, where genres continually evolve, VANES  has embarked on a captivating exploration of sound, color, and emotion. His album, aptly titled “Red Illusions,” is not just a collection of tracks but a conceptual journey into what can be described as the consolidation of Trance House.

The first keyword that resonates throughout the review is “red“. It’s not merely a color choice but a thematic exploration that guides the entire concept of the album. The use of red represents more than just an aesthetic preference; it signifies a deeper emotional and sonic landscape that VANES intends to traverse.

“Red Illusions” pioneers a genre that can be aptly labeled as “Trance House.” VANES skillfully blends elements of Trance, Progressive House, and Techno, incorporating classical instruments to create a unique sonic signature. This genre defies conventional standards, pushing the boundaries of music styles and merging emotions from the past with illusions of the future. The tone is elegant and mysterious, with energetic drop that tells the story of VANES, in an evolving composition of colors (with red standing out). My favorite tracks are:

Way Home
82/100

“Way Home” encapsulates the essence of the album, weaving an intricate sonic tapestry. An old-school lead, ethereal vocals, and a clever use of silences in the buildup create tension. The drop, with its bouncy and playful vibes, deviates from expectations, keeping the atmosphere intriguing. Attention to details adds an impressive layer to this track.

Lose Yourself (ft. JVRDY)
84/100

A collaboration that turns into an illusion itself, featuring two aliases of the same artist, “Lose Yourself” is an Electro House heater. The dirty bassline and Big Room vibes in the breakdown add stamina, making it a festival banger with a distinct flavor. The track stands out as a unique creation, differentiating itself from the others in the album.

No Signs
87/100

With “No Signs,” the concept of Trance House comes to fruition. This mature track intertwines hypnotic melodies with classical strings and an aggressive bassline. The elegance, passion, and emotional depth of the drop make it a standout. It’s not just Trance; it’s a richer emotional experience—a true embodiment of Trance House.

Concluding: “Red Illusions” is more than a musical album; it’s a sonic journey, a fusion of colors (with the dominance of red), and an experiment in pushing the boundaries of established genres. VANES’s ability to convey emotions through the medium of sound is impressive, and the birth of “Trance House” is a testament to artistic innovation. As the album concludes, it leaves us not only with the echoes of electronic beats but with a lingering sense of having explored uncharted territories—a journey through red illusions that transcend the norm.

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