All posts tagged in Spinnin
• Wait for the second drop • Happy at first, then takes a darker turn • Cheesy vocal, avoidable As I listened to “Midnight” up until the first drop, I found myself somewhat disinterested in this Happy Hyperpop rendition. Sure, the BPMs were soaring, but it lacked that adrenaline kick I was yearning for. This
• Audacious take on Tech House • Loopy vocal track • Energized lead with an old-school touch Here we are with another partnership between ARIA and BYOR, their second one after “Tonight” in 2023! Keeping an eager eye on the Australian talent ARIA and Tech House heavyweight BYOR since then, it’s more than clear that
• Beautiful guitar chords in the drop • Sweet bassline, not too aggressive • Risk of becoming predictable, almost avoided There’s one detail that I have always appreciated in Krimsonn— he always reflects the core themes of KSHMR’s label, Dharma Worldwide. Varying between genres, he retains the focus on natural instruments such as violins, guitars,
• Not a fan of the vocal • Explosive drop with Future Rave melodies • Exceptional work with meticulously chosen elements I hadn’t come across Wave Wave before, and, in general, Mentalo Music (my only mention was some years ago, suggesting that the label was still in its early stages of development). But it seems
• Signature retro vibes on the composition • Switching between Trance and Techno • A bit short in duration Starting 2023 the independent way, Declain has proved he can transverse genres boldly without sticking to please any cut-and-dry label stipulations. This has given him a greater opportunity than ever to experiment, something the German artist
• BOOM vibes in the vocal loop • Lots of details towards the end • Great showcase from Tim Hox Greatly satisfying, “The Blonde One” is a Bass House release on Spinnin’ Records that might not garner the same magnitude of success equal to past hits from Mike Williams (being a wunderkind of the Dutch
• Fast paced arrangements • Piano-led melody • Not so far from Schulz’s sound Robin Schulz is no stranger to the hitmaking process, after several acclaimed EDM albums and gaining colossal success with releases such as “Prayer in C” and the recent 2022 anthem “Miss You“. Unfolding a new chapter, he introduced the alias of
• More focus on Tech House • Energetic burst of vocals • Less duration TV Noise, the formerly duo act, has been responsible for myriads of funky releases on record labels such as Spinnin’, Revealed, and many other top-performing imprints. This year has been no different, as the now singular Dutch alias has kept cranking
• Captivating blend of Hardstyle, Bass House, Future Rave, and Big Room influences • Uniquely reimagined classical structure • Dynamic and ever-evolving composition I must confess, it’s truly a delight to witness such an extraordinary amalgamation in “Bring The Fire,” especially considering its release on the renowned Spinnin’ Records! Despite my personal qualms about Timmy
• Mix of liked genres • Twists in the drop • Small but considerable variations Breathe Carolina has dived into Bass House lately, as several releases such as “WIFI” or “Sick” came out on Spinnin’. I found them a bit conventional, lacking that spark of creativity that usually gets me to review something. Things are
• Shibui is gone, with same vocal style • Flute, violins, and Big Room leads in the mix • Hard-hitting Psy While I couldn’t admire “Hurricane”, a very predictable bouncy Psy-Big Room style that soon becomes exhausting, I feel that “Coconut” effectively attempted to take a step further. The protagonists on this stage remain the
• Turkish vocals working surprisingly well • Lots of experience behind the structure • Hard-hitting psy bassline It’s been a while since I heard from Faruk Sabanci, the Turkish producer with a great discography, especially the ones on his erstwhile label Metanoia Music. I distinctly remember “:)” and “Be The One” on the said imprint
• Reworks “The Riddle“, again • A decent Slap House take • Pleasant vocal cover Bassjackers are a pair that I have been following for years now, and while reserving great surprises, they also have their share of forgettable releases. Lately, in great shape with Les Pays Bass EP Vol. 3 that is stuffed with
• Distinctive parts from Bonka first, then Toneshifterz • Sturdy percussions and hypnotic vocal loop • Not a right synergy, but good results When I saw those names on Timmy Trumpet’s Sinphony, my expectations weren’t certain. Toneshifterz is a veteran in the Hardstyle scene, and Bonka has often dabbled between the boundaries of Melbourne Bounce
• Afrojack-type dirty lead • Festival banger for live performances • Minimal melodic pattern It is harder to rationalize the titling on Bassjackers’ latest EP, as they didn’t specifically name it “Vol. 3”, but yes, the duo migrated to Smash The House after two editions on Spinnin’ Records. Sincerely curious about this third installment, the
• Aurelios in the break, Chester in the drop • Influences from the Big Room Techno trend • Lovely twist in the pre-drop transition Aurelios already made a unique introduction on our blog with a catchy record on Spinnin’ Talent Pool the prior month, but “Falling” raised the bar to another level! Featuring Chester Young
