All posts tagged in House
• Deep House with a progressive influence • Emotional vocal that gets more prominent in the drop • Polished production that sounds classy A leap outside their comfort zones, “Never Get Enough” melds the talents and versatility of two artists, Aurelios (Italy) and Mahmoud (Morocco). Spinnin’ Talent Pool’s latest acquisition is a great pick, which
• A passionate show from the vocals • Delicate mix of Piano House and Future House • Nostalgic final outcome, impressive dynamism Benny Benassi has been around for so long that it’s hard to remember his particular sonic signature and what to expect… As an established alias, he has experimented with most genres in electronic
• Hypnotic vocal loop from a reggae sample • Elegant twist of genres with a retrò vibe • Solid set of percussions On one side, I miss the Electro House style from the likes of Tom & Jame, the Dutch pair that were at the forefront of Revealed Recording’s peak… Their dirty drops were remarkably
• Subtle rework on the drop part • The first section is still intact • A fitting bassline for the peculiar vocal “Disco Pogo” from the German duo Die Atzen has always fascinated me back in the days as perhaps one of the noisiest songs to date. The dirty Electro House lead charging the whole
• Impressive show of vocals • Calmer breakdown • Balanced and well-composed drops Beating around the bush would be pointless: the sweetness of the vocal is something else here! Created by a familiar Progressive House figure, Franny J. (already acquainted in “Save You” last year), Sergio Ochoa, and J4CKO, “Light The Way” features comfortingly old-school
Pop music stalwarts have always tested the waters in myriads of Dance music, be it Lady Gaga’s enthusiasm with electro and house or the Weeknd’s recent endeavors involving Swedish House Mafia, to varying degrees of success. The world of EDM has intertwined (and once ruled) over the pop industry time and time again, leading to
• Second single from the album “+” • Lively percussions, minimal ambience • Splendid vocals from Jimi himself Albums are a fascinating thing. Not only do they require severe execution that would render their content cohesive and narrative to each other, but experimentation that makes them stand out further. Mainstream dance music lacks from scarcity
• Away from Slap House trademark • Organ bassline, Bass House influence • Likeable to an extent vocal presence Over twenty months have winded down since Imanbek’s largest record to date came out to the public, ultimately bagging a Grammy in the spring of last year. Fastly approaching the yearly mark of it happening, the
• Easeful, dreamy progression • “Less is more” motif • Dissonant riff that merges later After having been enraptured by Echonomist’s oeuvre for months this year – my Spotify wrapped holding testament over that, it was clear the Greek performer has a sonic allure that can’t be eluded so easily once experienced. Consistently providing thorough
I am going to be honest, I didn’t know which track should I make a throwback of! Too many amazing choices out there… So I went to a YouTube compilation and randomly choose a timestamp: luckily it appeared a tune that I have a lot to talk about and that recently became notorious (once again).
• Contrasting and different style • Repetitive vocal, even with pitch alterations • Catchy but predictable melody Being a producer that has always been focused on offering unique material to the masses since 2016, Sikdope has been meandering to either find a new style or attempting to give “back to the roots” sensation. “Myself” is
Let’s be straightforward, shall we? In this fast-moving world, nobody’s got time. Information relayed short and sweet is most welcomed among Internet dwellers. I am aware that our reviews appear in midst of the multiple heart-stealing animal pictures or something more eye-catchy (ughm!). Plus as we discussed just a few weeks back, listening and writer’s
• Pumping House: the new trend? • Catchy but as simple as a pen’s mechanism • Overexploited vocals Hearing the name of the somewhat iconic producer Marshmello is not common these days, as it used to be, having lost the same hype that saw the breakthrough of his music in the latter part of the
• Gnarly and glitching sounds • A dominance shown by Rezz throughout • Subtle but crucial nuances from Deadmau5 While the current financial markets are embroiling over digital assets such as the notorious Bitcoin or Ethereum (on NFTs), there is no dearth of jests being drawn at the craze shown over such trading. That is
• Experimental and Leftfield approach • Emphasis on synths, a signature • Alluringly abstruse albeit minimalism In my current list of Electronic artists who have earned a great deal of my admiration, Agents of Time have found themselves atop for their singular methodology towards this industry. After having clicked on one of their recorded performances
After a kind fan alerted me about this duo, I ended up here, scrolling Block & Crown’s discography and counting. One, two, three… sixty-five! 65 releases in 2021 alone. Not 2020 (I’ll reveal the statistic later). You have read it correctly. I counted them one by one just to be sure. Who are these madmen?
• Playful and melodic • Great sound-selection in a minimal blueprint • Hints of retro sounds sprinkled throughout As fanatics of listening to music, don’t we all continuously explore the vast and fascinating territories of unknown records for that one more instant favorite? In my recent process, I did stumble on one beautifully crafted production
• Heavily inspired by MONXX’s style • Perfect work together among beats and vocal • Sins of having a predictable rhythm I wanted to review Circus desperately. An incredibly underrated label, there are tons of talents ready to unveil their finest productions and for today, Jessica Audiffred has presented an absolute wrecker. The Mexican act
• Leading vocal performance • UK Deep House arrangements • Released on Diplo’s House imprint, Higher Ground It is rare to see a leading industry act to delve in relatively underground genres and come up with hits, not only once or twice but on multiple occasions. I may not be the most devoted fan of
• Funky vibes, Hysteria’s classic style • Speed House segments, snappy • Creative trap vibes After experimenting with his alter-ego JeeCee, the leading Dutch figure John Christian is here again! I somehow happened to miss his earlier release “Dos” a few months earlier, but it is rejoicing to see him back on Hysteria. His funky
• Fantastic combination between Bass and Techno • Non-stop rhythm thanks to a fantastic composition • Funky vibe with darker twists When it comes to Axtone’s reputed roster, D.O.D. is a veteran who has advanced in the industry with his avant-garde production prowess, and his latest release caught me right on guard (even if it
