All posts tagged in Tech
• Rework of a rework of “Da Goodness” • Energetic G-House spin • Don Diablo really added that much-needed bounce! It’s amusing how this monumental collaboration between Major Lazer and Don Diablo is essentially a rework of “BabyLawd, DLegend – Jiggy Woogie,” which, in turn, draws inspiration from “Da Goodness” by Redman and Busta Rhymes,
• Audacious take on Tech House • Loopy vocal track • Energized lead with an old-school touch Here we are with another partnership between ARIA and BYOR, their second one after “Tonight” in 2023! Keeping an eager eye on the Australian talent ARIA and Tech House heavyweight BYOR since then, it’s more than clear that
• Fast, tight groove • Tech house twist • Exciting build-ups Initiating this year with a bang, Chris Lake has surpassed expectations yet again; the tech house whiz got the official duty of remixing the Chemical Brothers— no easy task knowing their inimitable sound— and nailed it with a fantastic remix that is feisty and
• Hypnotic vocal, well-selected pauses • Aggressive kick, Techno influences • Great teamwork of different styles It’s always nice to hear this sort of synergy where distinct names having their styles, come up with something never heard before. Castion, mostly reputed for his experimental Future Bounce (shifting into Tech lately) and the minimalist attitude of
• Bass House infused with captivating vocal modulations • Polished bassline accompanied by impactful kicks • Breakdown showcases Cuebrick‘s unique touch Isaac Palmer‘s music is heavily influenced by Bass House, as evident in his previous releases such as “Pressure” and “Inception” (his debut on Maxximize Recordings alongside Tony Junior). His more recent track, “Can’t Remember,”
• Best of both artists’ style • Noisy, but funny, vocals • A great fit for Barong Family It would be fair to say that I am a great fan of this synergy between Haus of Panda and Brett Allen for two things: the very engaging vocals, and the way they blend their styles with
• Wiwek-style drums over a Tech-y bassline • Anonymous breakdown and buildup • Festival-oriented composition, mostly for mashups You know, when “Balança” was announced, my expectations weren’t set high. I am glad to say that I was pleasantly surprised by what came out of the Hardwell and VINNE teamwork, the latter being one of the
• Vocal samples from Aretha Franklin • A show of old and new sounds clashing gracefully • Delicate attitude unusual to Tech House I don’t know if it’s just me, but Wampa‘s production style is soo classy! The new project has already impressed us at EDM Reviewer with “Sweet Feeling”, and now it’s time for
• DnB, Hard Trap, and Hardstyle in “Drux”?! • Bass and Tech House influences in “Losing Control” • Brutal and chaotic without losing balance Upholding a bold statement about their prolific visions, FVCK GENRES has greatly favored shifting between the demarcations of several EDM genres. Their latest upload, “Drux” EP is no exception either. Architected
• Bass-Tech House hybrid with twists • Catchy bassline, as expected • Minimal attitude to emphasize the rhythm After mentioning him for multiple times on our blog-space, especially on the artist focus series a few months back, ELYX has ranked upwards on the support and recognition ranks since then. The immensely talented youngster has proved
• Sublime and exquisite composition • Atmospheric vocal • Stand-out Tech House tune Before I begin with the usual, there is an amusing backstory on why I haven’t reviewed any Bass-heavy House production, knowing that I am a “bass-head”. Just some time ago, I was stuck in a dilemma between a DnB offering from Dropgun
• Punchy combination of Tech and Uplifting Trance • Equally catchy vocal performance • Splendid variations Today with us we have a heartfelt collaboration, courtesy of FSOE (Future Sound Of Egypt) veteran James Dymond and American vocalist Linney named as “What I Have Got To Lose”. Both of them have been in their heyday in
