All posts tagged in Not
• Rework of the Nomad (and Bingo Players) hit • Not-so-predictable approach • Homage to 10 years of career “Devotion” marks a significant milestone in KSHMR‘s illustrious career as he celebrates 10 years of the project. Teaming up with 22Bullets, the duo delivers yet another stellar performance, showcasing their collective genius and creativity. The choice
• The legendary vocals, loud and clear • Elegant bassline and percussions • Not risking too much in the drop, are we Let me say that “It’s Not Right (But It’s Ok)” sounds possibly like a 2024 hit. Like Mr. Belt & Wezol never did it… Also, sampling Whitney Houston is an easy way to
• Not your typical “one in a million” track • Stunning vocal-guitar duo • Added bounce in the drop Welcome back, Rory Hope, the vocalist behind “Location Unknown” by Hogland, which we recently reviewed! This time, his enchanting vocals team up with Marc Benjamin‘s stellar beats in “One In A Million.” Released via Future House
• Linear and predictable • Brazilian Bass groove, big room synths • Short duration Two powerhouses in the EDM scene getting together isn’t commonplace— especially considering Tiesto and R3HAB– who have rightfully pioneered and shaped the dance music scene at its peak. So when two first-rate artists finally decide on an official collaboration, expectations are
• Not a fan of the vocal • Explosive drop with Future Rave melodies • Exceptional work with meticulously chosen elements I hadn’t come across Wave Wave before, and, in general, Mentalo Music (my only mention was some years ago, suggesting that the label was still in its early stages of development). But it seems
• Plethora of sound design • Evolving layout • Sparse, with subtle details Mau5trap fans were pleased to their cores when “Hypnocurrency” was revealed to the public, and for all the right reasons. Combining the might of the revered Deadmau5 with the powerhouse talent REZZ was expected with an abundance of hype. Nearly two years
• Fast paced arrangements • Piano-led melody • Not so far from Schulz’s sound Robin Schulz is no stranger to the hitmaking process, after several acclaimed EDM albums and gaining colossal success with releases such as “Prayer in C” and the recent 2022 anthem “Miss You“. Unfolding a new chapter, he introduced the alias of
• R&B influences with Future House • Bouncy, simple bassline in the drop • Laidback vibe and a couple of trap details With summer upon us, that period of the year has started where all the producers come up with commercial (and often cheesy) things. Those piss me off, as I was uneasy to press
• Not an habitueè of Hard Dance • Lots of care with the digital theme • Some unexpected old-school Electro House breakdowns I know, I know, I am reviewing a lot of Tribal Trap stuff lately. It’s just that I keep discovering exciting releases, such as “404” by Dirty Blood! Trust me, this one will
• Familiar lyrics quickly played in the first and central segments • Not that innovative • Gangsta motives featured in the Trap drop Two genre veterans are featured on this one today, with an interesting rework of Snoop Dogg and Pharrells’ “Drop It Like It’s Hot” in an underground Trap salsa! The vocalist Blvkstn has
• Distinctive parts from Bonka first, then Toneshifterz • Sturdy percussions and hypnotic vocal loop • Not a right synergy, but good results When I saw those names on Timmy Trumpet’s Sinphony, my expectations weren’t certain. Toneshifterz is a veteran in the Hardstyle scene, and Bonka has often dabbled between the boundaries of Melbourne Bounce
• Steel drums on the drop part • Classic mysterious buildup in Techno style • Excellent fusion of different styles A familiar name for us at EDM Reviewer, Karasso has several great releases on Smash The House label, yet this time the Israeli act has something very interesting for us! “Focus & Concentration” is showing
