All posts tagged in Dv
• Natural feeling, very underground vibe • Didn’t notice Lucas & Steve • Top-notch vocal and atmosphere For this review, I must apologize for my ignorance on the matter, since I’m not a player of the game Zenless Zone Zero. I see that its studio, MiHoYo, has gathered impressive results with its HoYoverse series of
• Usual Da Tweekaz sound, but softer and predictable • Vocal is uninspiring and annoying • Lacks the freshness of their previous work Once again, we have a R3HAB collaboration, and once again, Da Tweekaz venture into the more mainstream side of Hardstyle following the successful “Lambada” with Tony Junior and “Wasabi” with Blasterjaxx. As
• Of course, a rework. And a follow-up of “Thank You” • Eminem’s hit transformed into a Festival mix • Gabry Ponte added a spark of vitality to the drop Here we go again: the trademark DV&LM mega collab, often accompanied by super famous names and perceived as lacking substance… Except, this time, it’s different.
• Orchestral melody • Something’s missing… Violins? • Fresh spin on the drop The trend of blending classical music with EDM elements hasn’t escaped me, and I like it quite a lot: probably because of the impressive results from different perspectives. It’s the case in several Sinphony releases, starting from the compilation released a few
• More like an edit than a remix • Trumpets are enhanced, overall structure intact • Nostalgic choice for SIZE XX Anniversary “Valodja” holds an air of mystery that can only be crafted by masterminds like Steve Angello (during his pre-SHM phase) and AN21. With just two percussions and a set of trumpets, they conjured
• Acceptable summer release • Afro Bros dominating the base • Akon is not as hypnotic as Daddy Yankee Who remembers “Instagram”? That 2019 summer hit from the most random name’s together: in the order of appearance from Dimitri Vegas & Like Mike, David Guetta, Daddy Yankee, Afro Bros & Natti Natasha. The follow-up “She
• Trance Techno Experiment • Well done homage to the original • Slightly linear, but modernized Released a while earlier, I found this quite recently and couldn’t contain the excitement for reviewing it. “ResuRection” is one of those classics which I have listened to over the years, not having remembered its title or creators. The
• No experiments from Dimas • Repetitive melody with an energetic bass • The pair reunited after 12 years. My respect for Angger Dimas has always remained particularly because of his unconventional and particular style. Give a listen to “Phat Brahms” with DV&LM and Aoki (not the 2.0) to get an exact measure of what
• This isn’t your typical Phonk track… • A brilliant fusion of melody and rhythm • Debut on Tribal Trap that sets the bar high When I first heard that Angemi had released a track on Tribal Trap, I was pleasantly surprised. Having made a name for himself on Smash The House and with DV&LM,
• Hexagon return with a signature finale • Experimenting with vocal distortions • Big twist in the end Albin Myers is a Swedish moniker who holds an enormous amount of experience as a DJ/Producer. He achieved several notable releases in the past fifteen years in the EDM world, with remix duties for Avicii and Axwell
