Now Reading: Magali, a Cult Unleashes a Digital Odyssey: A review of “The Lady, The Swallow, The Sorceress”

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Magali, a Cult Unleashes a Digital Odyssey: A review of “The Lady, The Swallow, The Sorceress”

January 14, 20243 min read

Dive into the pulsating realms of Magali, a Cult’s artistic prowess with her latest creation, “The Lady, The Swallow, The Sorceress.” This isn’t your ordinary album; it’s a spellbinding plunge into a world where music, visuals, and storytelling entwine to craft an otherworldly experience.

At the core of this creative venture lies Magali’s circular dance of inspiration, where each stroke of her musical genius is echoed in mesmerizing visual art. It’s a synergy that defies the boundaries between different artistic domains. The genesis of “The Lady, The Swallow, The Sorceress” can be traced back to Magali’s earlier work, especially the thematic exploration in “Auntie Christ.” Yet, this project transcends the familiar, delving deeper into the unexplored realms within the digital landscape. What genre is it? Some may say pop, others D&B, I personally found it in a sort of experimental electronica limbo.

Beyond the beats and melodies, “The Lady, The Swallow, The Sorceress” unfolds as a narrative. It’s a tale told not just through lyrics but through the very fabric of the music, inviting listeners into a world meticulously crafted by Magali’s storytelling prowess. It’s also a visive experience, the ambitious project also includes a short storybook, an animated film series, and an immersive art exhibition piece! Given Magali, a Cult’s artistic background, this is an ambitious and extremely thrilling decision that can give more context around the music.

Comparisons to luminaries like Björk and Stereolab, while flattering, only scratch the surface. Magali’s sonic expedition is a genre-defying journey, drawing inspiration from diverse musical tastes that transcend the conventional boundaries of her craft. Beyond the beats and melodies, “The Lady, The Swallow, The Sorceress” unfolds as a narrative. It’s a tale told not just through lyrics but through the very fabric of the music, inviting listeners into a world meticulously crafted by Magali’s storytelling prowess.

The infusion of 3D modeling and animation isn’t a mere aesthetic choice—it’s a deliberate plunge into uncharted territories. Magali’s exploration extends beyond the auditory, pushing the boundaries of visual art in realms like animation film, VR, and even video games. An hint of what we are talking about can be seen in the beautiful video of “Listen (Secret Place)”, released two month ago.

In the auditory realm, Magali draws from the deep wells of ’90s electronic music and traditional Celtic sounds. It’s a blend that echoes with nostalgia while forging a path of innovation. Her music becomes a vessel for cultural and historical exploration, entwined with the overarching theme of spirituality and digitization.

“The Lady, The Swallow, The Sorceress” isn’t just an album; it’s a journey. Magali doesn’t release music; she unleashes an odyssey. Brace yourself for a digital escapade as Magali unveils her four-part multimedia masterpiece in Spring 2024.

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