All posts tagged in It
• The legendary vocals, loud and clear • Elegant bassline and percussions • Not risking too much in the drop, are we Let me say that “It’s Not Right (But It’s Ok)” sounds possibly like a 2024 hit. Like Mr. Belt & Wezol never did it… Also, sampling Whitney Houston is an easy way to
• Classic big room twist • Saberz-W&W influences • Linear but energetic Oftentimes, there are considerable comments on artists who once pursued Big Room— when it was trendy that is— and have since moved on to greener pastures, so to speak. Good thing we have independent producers who are willing to stick to their roots
• Melodic and upbeat • Exceptional vocals • Alternating drops To describe the latest creation from Eliminate and Flux Pavilion would require more than a few words: “Dawn” is an infectious record, stacked with ear candies sure to compel the listener to come back for more; made possible by an amazing trio of creators involved:
• A Unique Fusion of Italian Trap and Rawstyle • Lots of stuff going on in less than two minutes • Taxi B screams, a lot I’m thrilled to finally discuss Taxi B‘s music here at EDM Reviewer. What a magical moment. The Italian trap artist has ventured into a unique Trap/Phonk/Punk style, and “Blackout”
• Plethora of sound design • Evolving layout • Sparse, with subtle details Mau5trap fans were pleased to their cores when “Hypnocurrency” was revealed to the public, and for all the right reasons. Combining the might of the revered Deadmau5 with the powerhouse talent REZZ was expected with an abundance of hype. Nearly two years
• Straightforward design • Interesting lead synth choice • Festival techno get-up In a never-happened scenario, two interesting EDM figures decided to team up. What came out of that association is attention-grabbing and hence this article. American creators MAKJ and Luis Torres hit the studio together for an uptempo, fun-packed techno experience “PSA.” Although we
• Deep and melodic • Appealing vocals • Minimal setup Revealing a superb remix attempt lately is DJ York, remodeling the original “Synth Pop Beat” from duo They Kiss into more dance-floor amicable terms. This version brings out a bittersweet feeling with a smooth layout, a testament to the experience of York’s skillsets combining with
• Not an habitueè of Hard Dance • Lots of care with the digital theme • Some unexpected old-school Electro House breakdowns I know, I know, I am reviewing a lot of Tribal Trap stuff lately. It’s just that I keep discovering exciting releases, such as “404” by Dirty Blood! Trust me, this one will
• Anti-climax, then two powerful melodic drops • Immaculate use of the high-pitched vocals • Lack of unpredictable details, yet enjoyable There is a certain challenge that comes with reviewing Hardstyle, as its structuring remains convoluted with BPM, the type of kick(s), the leads, etc… Yet it’s a refreshing change of pace to present fascinating
• A mix of everything… from flutes to violin! • Constant variations throughout • Usual trap format with unusual elements Within the immense discography of Tribal Trap, “Next Level” by the Romanian wazecode struck me with its unique drop, although it may resemble a common Trap framework in its initial sequence. For the past four
