All posts tagged in Don
• Hard-hitting Eurodance hit • Future House vibe, reworked with more underground impressions • Great step outside the comfort zone “Monster” is… quite a lot of things. First and foremost, it’s an Eurodance banger with impressive old-school vibes and a vocal that really grabs your attention. Let me emphasize: the vocal is simply perfect. But
• Rework of a rework of “Da Goodness” • Energetic G-House spin • Don Diablo really added that much-needed bounce! It’s amusing how this monumental collaboration between Major Lazer and Don Diablo is essentially a rework of “BabyLawd, DLegend – Jiggy Woogie,” which, in turn, draws inspiration from “Da Goodness” by Redman and Busta Rhymes,
• Dark and ominous Hardcore • Screechy, upbeat, and downright bizarre • Chaotic breakbeat at the end Honestly, when I first experienced this, it downright blew my mind— it HAD to be talked about! Just A Gent and Hailure delivered something so intriguing and special that I or anyone else would probably never see it
• Beautiful guitar chords in the drop • Sweet bassline, not too aggressive • Risk of becoming predictable, almost avoided There’s one detail that I have always appreciated in Krimsonn— he always reflects the core themes of KSHMR’s label, Dharma Worldwide. Varying between genres, he retains the focus on natural instruments such as violins, guitars,
• Well, the original was even higher • Don daringly experimenting • From Future Bass to Future House, with elegance Yet another great creative gesture from Don Diablo has arrived: this is a gorgeous remix to discuss, going back to his roots like “Still Cutting Shapes”… with elegance and innovative intentions, and pushing aside any
• Absentia of Wobbling lead • Piano House works smoothly with the vocal • A natural sequel The fact that Don boldly decided to rework an all-time future house classic from him is very admirable, further considering that “Cutting Shapes” is in my top three from the Dutch star. When I discovered its release, I
• Turkish vocals working surprisingly well • Lots of experience behind the structure • Hard-hitting psy bassline It’s been a while since I heard from Faruk Sabanci, the Turkish producer with a great discography, especially the ones on his erstwhile label Metanoia Music. I distinctly remember “:)” and “Be The One” on the said imprint
