All posts tagged in Aoki
• Massive drop sequence à la BLK RSE • Something’s missing in the central breakdown • Kudos to the desire to innovate the sound It’s been a year since my last encounter with KAAZE and his power-packed Progressive gem of “Paradise“; here we are, with the darker facade to the Swedish moniker— one can hazard
• Impressive and stunning twist in the finale • The rest is clichè, but well made • Hard-hitting kick on a minimal, reverberated bass It makes me delighted to review this track, considering that I am not a fan of both of these artists. Aoki has jumped on the crypto-NFT bandwagon with doubtful results for
• No experiments from Dimas • Repetitive melody with an energetic bass • The pair reunited after 12 years. My respect for Angger Dimas has always remained particularly because of his unconventional and particular style. Give a listen to “Phat Brahms” with DV&LM and Aoki (not the 2.0) to get an exact measure of what
• Hexagon return with a signature finale • Experimenting with vocal distortions • Big twist in the end Albin Myers is a Swedish moniker who holds an enormous amount of experience as a DJ/Producer. He achieved several notable releases in the past fifteen years in the EDM world, with remix duties for Avicii and Axwell
• Sloppily insipid • Basic, generic, dull structure. • Imitates to be a catchy modern take, but remains forgettable Usually, we commend reworks: some antique melodies are the perfect material for a contemporizing twist! In the last months, we have preferred Olly James’ take on “Moving Too Fast” and “Life Is Music“, for instance. The
