All posts tagged in Hard
• Excellent use of vocals • Hard-hitting kick • The whole structure sounds so adrenalinic “DANCE” suddenly got my attention with its explosive attitude. I rarely appreciate high-pitched vocals, which can easily become annoying. But especially in the new hyperpop wave, they are becoming very effective. Today’s track, “DANCE”, makes great use of this feature.
• Hard kicks, distorted vocals • Neverending flux of stamina and aggressiveness • Distortions are quite aggressive towards the end Introducing the formidable collaboration between Dead X and Levenkhan comes “Player H8rs,” a relentless onslaught of hard-hitting beats and unapologetic aggression. Levenkhan, known for his distinctive blend of hip-hop influences and hardcore kicks, brings his
• Hard-hitting Eurodance hit • Future House vibe, reworked with more underground impressions • Great step outside the comfort zone “Monster” is… quite a lot of things. First and foremost, it’s an Eurodance banger with impressive old-school vibes and a vocal that really grabs your attention. Let me emphasize: the vocal is simply perfect. But
• Massive PsyTrance bassline • Tokyo Drift vibes in the break lead • Fierce and bouncy Today, there’s another beast prowling that needs your attention: “Tiger Style” is not afraid to roar and pounce when needed! Created by the Australian moniker Dixie and released in the wild by CZLR Records; the Psy-trance banger is an
• The vocal loop is amped up • Hyperpop and 2000s Trance, with a nostalgic piano • Look at how the trend’s evolving! This remix from P.A.F.F. makes me so happy— not only have I rediscovered “leavemealone” from Fred Again (a certifiable masterpiece)— but it’s a suitable case of the potential held by the “Euro
• Metal plus Dubstep • Hard techno ending • Brilliant sound design New year, new beginnings, they say: and what better than applying that maxim to one of our initial reviews of 2024? The first week of January usually doesn’t see that many releases getting out, although our attention got snatched by the latest project
• Impressive and stunning twist in the finale • The rest is clichè, but well made • Hard-hitting kick on a minimal, reverberated bass It makes me delighted to review this track, considering that I am not a fan of both of these artists. Aoki has jumped on the crypto-NFT bandwagon with doubtful results for
• Shibui is gone, with same vocal style • Flute, violins, and Big Room leads in the mix • Hard-hitting Psy While I couldn’t admire “Hurricane”, a very predictable bouncy Psy-Big Room style that soon becomes exhausting, I feel that “Coconut” effectively attempted to take a step further. The protagonists on this stage remain the
• Turkish vocals working surprisingly well • Lots of experience behind the structure • Hard-hitting psy bassline It’s been a while since I heard from Faruk Sabanci, the Turkish producer with a great discography, especially the ones on his erstwhile label Metanoia Music. I distinctly remember “:)” and “Be The One” on the said imprint
• Hints of Melbourne Bounce on Techno • Typical, squeaky leads with old-school bass • A balance between the roots and trending sounds Since “Annihilate”, which left us with mixed reactions, the Australian producer has returned to Hardwell’s imprint with another Festival Techno release. Including the unusual schematics that have been popularized by Will Sparks,
• Hardstyle meets Italian folk music • Clear efforts in evolving the traditional sound • Hard-psy and Euphoric Hardstyle blend As an Italian, I find myself recoiling back after hearing traditional native melodies being used in electronic music. It’s often a popular notion among foreign artists that fail in preserving the originality alive. Often, they
