All posts tagged in Great
• Hard-hitting Eurodance hit • Future House vibe, reworked with more underground impressions • Great step outside the comfort zone “Monster” is… quite a lot of things. First and foremost, it’s an Eurodance banger with impressive old-school vibes and a vocal that really grabs your attention. Let me emphasize: the vocal is simply perfect. But
• Alt-rock sounds • Downtempo synthwave drops • Great vocals Delightfully wistful and engaging nostalgia, “When We Were Young” taps into that 2000s sound effortlessly. Its creator, Tom DuPree III has crafted a first-rate production, contained within his experimental project “Dark.Light.” Creative in the truest sense, Tom DuPree III cut his teeth in the musical
• Great choice with the hi-hats! • Creative vocal switches, a bit too dominant • Clean bassline, a pleasure for the ears Ninetails, a UK duo known for their previous hits like “Saturday Night” with Brando and the experimental “You In My Mind,” continues to impress with their ability to blend genres. The fusion of
• Eh, the M1 organ lead • Great pairing with Hadar Adora’s voice • Clean setup, smooth transitions A deep house creation, “Revival” is an interesting outcome from the minds of Myles O’Neal and Hadar Adora, and deserves a special mention. A surprise came right after the first draft— turns out Myles is the son
• Great blend of Melodic Dubstep and Rock • Vera Blue’s vocals seamlessly integrated • Lots of remixes, a great chance to stand out We are back with Illenium again, who released a giant remix pack to complement his new album. In the past, I wasn’t into the American creative’s choice for releasing copious amounts
• Great blend of Trance and Prog • Enchanting vocals and lead • Solid sound design Further setting their indelible imprint on Armin van Buuren’s endeared label, Hel:Slowed has become a favorite for many with their excellent releases in Armada Music. Consistency and quality seem to be their motto at the moment, as they introduced
• BOOM vibes in the vocal loop • Lots of details towards the end • Great showcase from Tim Hox Greatly satisfying, “The Blonde One” is a Bass House release on Spinnin’ Records that might not garner the same magnitude of success equal to past hits from Mike Williams (being a wunderkind of the Dutch
• Finally something genuine! • Great synergy with the vocals • Surprising twist afterwards My expectations about R3HAB who most probably didn’t even open the project file for “Rock My Body” once, were low as always. For an artist thriving in fame lately, I was hoping for a more inventive take on the Trance classic
• Hypnotic vocal, well-selected pauses • Aggressive kick, Techno influences • Great teamwork of different styles It’s always nice to hear this sort of synergy where distinct names having their styles, come up with something never heard before. Castion, mostly reputed for his experimental Future Bounce (shifting into Tech lately) and the minimalist attitude of
• Excellent work on the atmosphere creation • Mellow drops with dynamic percussions • Great sinergy with David Emde’s vocal Prepare to be pleasantly surprised by the captivating Deep House creation from some unexpected names! Blaikz, a German artist known for his solid releases on various independent labels, joins forces with the French talent maloww.,
• Great vocal cover from JD Davis • House-focused layout • Built around the original’s bassline A fresh collaboration has emerged in the wild involving Oliver Heldens & DJs From Mars. An interesting synergy, as DJs from Mars have made a solid reputation for specializing in mashups in the EDM industry and teamed up with
• Future House with Jungle Terror sounds • Plenty of details • Great bassline Before proceeding, here’s the premise: I am not really into the Experimental scene in the US right now, where Dubstep, Trap, and many other genres get combined in creative ways. In WLLWS, I see the influences from artists such as Moore
• Respectful of the original masterpiece • Piano House! Great pick • Solid and confident vocal performance Great job, great job, great job! I understand that Rita Ora did not produce this tune, and it falls under the commercial realm, but I had to present “Praising You” here as it is such an exciting tune.
• Great first drop, with Future Rave finale • One of the most unnecessary vocals ever • Generic, with few interesting features Originally made known to the world in 1963 by Jorge Ben, “Mas Que Nada” was reworked by Sergio Mendez in ‘66 and later in 2006 (featuring The Black Eyed Peas). Most people will
