All posts tagged in Suyano
• Pretty decent vocal • Suyano’s characteristic lead • Poppish and slow drop Progressive House was, is and will always be one of my favourite genres. Thanks to lots of amazing artists we have a lot of different styles and sounds that make Progressive genuine and beautiful. Anyway, it seems like not everybody understands that concept. We
47\100 • Uncreative, uncreativeeeeee • Outstanding vocal, not supported by the base • Catchy but completely flavourless It’s quite a boring week, without any particularly exciting release, so we went back in time instead and picked this quite important release of the last Friday. Unfortunately, we aren’t really happy about it… “Light It Up” is
85/100 • High-quality progressive house, with a hypnotic melody • Excellent vocal performance by Alicia Madison • Delicate approach, focused on sweetness Returning with full impact, the renowned Dutch star Suyano has shown strong significant growth as expected. This time, he has successfully collaborated with Australian talent No Class, featuring the delightful and mesmerizing voice
For Sjoerd IJpelaar, music came naturally. From a tender age of 8, he started playing with drums and by the age of 17, he had determined to prove his adept musical skills to the world. As of this, a unique and splendid artist came into existence, who was later to be called as “Suyano”. Starting
82/100 Trying out new genres and impressing the crowds with unpredictable music is what an artist should have as a main priority. Suyano perfectly follows this mindstyle, because of his ability to adapt to various genres, and always delivering innovative sounds. After churning out fantastic remixes and some splendid singles, he aims even more before
82/100 (and 78/100 to original version) That’ the best marketing choice of Revealed of the month. I’m so happy for this EP, for one big reason. COHERENCY. During early 2017, when Hardwell’s label was releasing future bass tracks, I was really upset because that wasn’t what affected fans wanted and were used to hear. With
